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Media Places

Bulgaria, Romania, …and Missouri?

The New York Times has an interesting story on the absolutely horrible movies that the Sci-Fi channel has been putting out every week. While I won’t say that these are the only reason I’m quitting cable, the are a reason to quit cable. Especially when I found out that Sci-Fi is marketing these movies at a specific demographic: women, 25 to 54 years of age. Not, contrary to popular myth, 14 year old boys; 14 year old boys who are, we presume, out breaking the law on a Saturday night rather than at home watching really bad movies.

No, women between 25 and 54. So much for Bridges of Madison County.

The article is a good read, though it does require login (if you don’t have a NYT login, email and I’ll send you a copy). My favorite quote from the article:

Shot on budgets ranging from $1 million to $2 million, Sci Fi’s movies are made in money-saving locales like Bulgaria, Romania and Missouri.

I’m sure I’ll eventually be offended by this…when I stop laughing.

(Thanks to Slashdot for the needed light moment.)

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Connecting Media Social Media

Stop

Stop. Stop right now.

I won’t point to the sites, and I won’t repeat the exact words. But now is not the time to point to a ‘wiki’ setup to collect information about the bombs in London, and smugly say how much better it is at covering the news than the New York Times.

Now is not the time to point to each other, almost in joy, because, to paraphrase, “we’re covering the story better than the BBC”.

Now is not the time to bring up the incriminations of why this happened and use it as fodder and ammunition in this stupid oneupmanship that characterizes too many of the popular web sites.

Write on our shared sorrow for the people in London. Or write on flowers and trips to Maine and life in general, because life is good. Life is good. But not this. Don’t use this event to promote weblogging.

You’re all pathetic, and you make me ashamed of writing to this weblog. Sorry, got just a wee bit angry. I forget sometimes that we all have different ways of dealing with tragedy.

Categories
Media

West Side Story

We’ve had a delightful chat in the comments to the post about no singing at the XML2005 presentation. And though I sympathize with Charles about the use of “Somewhere” in an ad, I agree with Dan about show tunes being fun and contagious. I love Broadway show tunes, even those in the “King and I” ( Sorry, Yule).

James mentioned a Pet Shop Boys version of “Somewhere” and Ralph mentions one by Tom Wait (’gargling with gravel’–love it).

But I remember the first time seeing a young and innocent Natalie Wood singing this song (well, mouthing the words) as she and Tony cling to each other in her bedroom. Their world has collapsed around them and you and I watching the movie know that no good will come to them. That’s what saved the song, really: we knew that tragedy was inevitable, even in the face of such determined hope. In the movie, and in real life as an older, but not so old, Natalie, drifting face down in the water is superimposed over the younger in my mind.

Writing this I am reminded of another movie that released the same year: Breakfast at Tiffany’s. To a movie critic, to compare Breakfast at Tiffany’s to West Side Story, is the same as comparing the surgeon’s delicate touch to a jackhammer driver. Which is which, though, will change, critic by critic.

Do you remember the scene in Breakfast with the cat? It’s killer, I cried. But I also cried during West Side Story. I am not a sophisticated woman. This worries me sometimes.

Categories
Media

Lowpoint in television

Thanks to Yule (who says it’s all Maria’s fault) I discovered that I’m Percy Bysshe Shelley in the “What famous Romantic Poet are you” quiz–not my favorite poet, but somewhat appropriate considering the name. In response, Yule wrote in comments:

No kidding! On the other hand, the poet Shelley’s full name never ceases to remind me of a cross-dressing Graham Chapman in Monty Python, leading a ’salon’ while totally inebriated, waxing enthused at the name of Shelley, which he (she) confuses with sherry (”Another sherry? Yes, yes, alright!”).

Ah, the baleful influence of television… 😉

The scene that Yule references is from the following (taken from script):

Chris in order to avoid this embarrassment, dives into the nearest department. A sign over the door reads ‘Victorian poetry reading hall’.

Cut to a poetry reading. Wordsworth, Shelley, Keats and Tennyson are present. Chris stands quietly in the comer hoping not to be noticed.

Old Lady: Good afternoon, ladies and gentlemen, it’s so nice to see such a large turnout this afternoon. And I’d like to start off by welcoming our guest speakers for this afternoon, Mr Wadsworth…

Wordsworth: Wordsworth!

Old Lady: Sorry, Wordsworth… Mr John Koots, and Percy Bysshe.

Shelley: Shelley!

Old Lady: Just a little one, medium dry, (a dwarf assistant pours her a sherry) and Alfred Lorde.

Tennyson: Tennyson.

Old Lady: Tennis ball.

Tennyson: Son, son.

Old Lady: Sorry – Alfred Lord, who is evidently Lord Tennisball’s son. And to start off I’m going to ask Mr Wadsworth to recite his latest offering, a little pram entitled ‘I wandered lonely as a crab’ and it’s all about ants.

Murmur of exalted anticipation. Wordsworth rises rather gloomily.

Wordsworth: I wandered lonely as a cloud

That floats on high over vales and hills
When all at once I saw a crowd
A host of golden worker ants.

Ripples of applause.

Old Lady: Thank you, thank you, Mr Bradlaugh. Now, Mr Bysshe.

Shelley: Shelley.

Old Lady: Oh… (the dwarf refills her glass)… is going to read one of his latest psalms, entitled ‘Ode to a crab’.

Shelley: (rising: and taking his place quietly) Well, it’s not about crabs actually, it’s called ‘Ozymandias’. It’s not an ode.

I met a traveller in an antique land
Who said ‘Six vast and trunkless legs of stone
Stand in the desert
And on the pedestal these words appear
My name is Ozymandias, King of Ants

(oohs from his audience)

Look on my feelers, termites, and despair
I am the biggest ant you’ll ever see
The ants of old weren’t half as bold and big
And fierce as me’.

Enormous applause.

Old Lady: Thank you Mr Amontillado. I’d like to ask one or two of you at the back not to soil the carpet, there is a restroom upstairs if you find the poems too exciting (she falls over) Good afternoon, next, Mr Dennis Keat will recite his latest problem ‘Ode to a glass of sherry’. (she falls off the podium)

Keats: My heart aches and a drowsy numbness pains
My senses, as though an anteater I’d seen

(panic spreads and the audience half rise)

A nasty long-nosed brute

(screams from the audience)

With furry legs and sticky darting tongue
I seem to feel its cruel jaws
Crunch crunch there go my legs
Snap snap my thorax too

(various screaming women faint)

My head’s in a twain, there goes my brain
Swallow, swallow, swallow, slurp (he loses control)

Silly, strange, defining, and oddly flattering to the audience. One never looks at British people the same way again, after having experienced Monty Python. The show was unique and original and TV at it’s best.

Compare this to the television show that Diane Reese pointed to today from Warner Brothers: Beauty and the Geek — receiving my vote for the most idiotic, phony, and offensive television show of all time.

Categories
Media

Firefly and Battlestar

I rather liked tonight’s episode of Battlestar Galactica. It was twisty and turned a lot and I even liked the subplot with the Adam and mechanical Eve back on Caprica. Loved the last scene and the jazz and the whole crew dancing together.

The development of the female characters in the show continues to be terrific. They are wonderfully strong, independent, and, most importantly, consistent. I do think there are too many characters and subplots to be managed effectively, and I’m surprised more people haven’t noticed that Baltar talks to himself a lot. Still, it’s rich, and I’m glad to see SciFi hasn’t ‘mainstreamed’ it.

If you’ve not seen Battlestar and don’t have the SciFi channel, you can at least see the first episode, as SciFi has released a complete recording of the first episode including outtakes. (Thanks to SFCrowsNest for link.)

However, as good as Battlestar is, it doesn’t compare with Firefly, and I wanted to extend a thank you to those of you who recommended it. I rented the DVDs, watched them, gave them to my roommate, he watched them and then immediately went out and bought himself a copy. Now I’ve watched the series again — especially the Train job, which is one of the better of the episodes, though Out of Gas and Trash are, also, exceptional.

Can’t wait for the movie. Perhaps Firefly fans who are also bloggers should get together in one city and go see it at the same time. Anyone want to see the release of Serenity in St. Louis, September 30th?