Categories
Money

You get what you pay for

Recovered from the Wayback Machine.

Fake Steve Jobs

We all know that there’s no fucking way in the world we should have microwave ovens and refrigerators and TV sets and everything else at the prices we’re paying for them. […] You want to “fix things in China,” well, it’s gonna cost you. Because everything you own, it’s all done on the backs of millions of poor people whose lives are so awful you can’t even begin to imagine them, people who will do anything to get a life that is a tiny bit better than the shitty one they were born into, people who get exploited and treated like shit and, in the worst of all cases, pay with their lives.

(quote via Simon Willison)

We’re still hearing more details about a young man killing himself in China because of a missing iPhone prototype, and the subsequent accusations against him. Fake Steve Jobs hit the issue right on the head with biting satire, as he writes about our willingness, or lack of willingness, to pay a little more for something in order to ensure good working conditions for the workers.

There will be lots of condemnation among the social media: blog posts, and Twitter trends, and shaking of virtual heads. Avatars will get colored, icons posted, hash marks used. Solidarity!

The same folks making the most noise, though, will most likely be the first in line at Apple to buy that iPhone when it comes out. Stand in line, and blog, Twit, Book, Space their experience. Because, let’s face it, and I’m sure Fake Steve would agree: it’s a lot easier to dye your avatar green, than to make a lifestyle change that will make a real difference.

I find it ironic that as this story is being discussed, a report comes out about Apple’s record profits, primarily due to the iPhone.

Categories
Places

Apollo 11 and the dish

Do you remember the Apollo 11 landing? Where you were, what you thought?

I don’t remember the landing that clearly, because so much was happening at that time. I was 14 1/2, recently moved to Seattle, feeling lost in the city but connected to the times—getting caught up in both the anti-war and flower power movements. The moon landing was part of the blur that seemed to be around all of us, made up of equal parts scientific miracle, and hits of acid.

It’s only been in these later, quieter years that I’ve come to appreciate the Apollo program, in general, and the Apollo 11 moon landing, specifically. When you consider that computers were primitive, room size, and prone to failure, I’m still amazed we made it to the moon. The effort was as much an act of human perseverance, as an act of technology. Perhaps that’s why the Apollo 11 mission still fascinates, all these years later.

If you’re looking for something Apollo 11 related to watch this weekend, I recommend the movie “The Dish”. Read more about the movie, and access a clutch of links about Apollo 11 that I’ve been collecting at Secret of Signals.

Categories
Stuff

Fly me to the moon

Recovered from the Wayback Machine.

Today marks the 40th anniversary when a group of three men shook the dirt of this mud ball from their shoes, in order to plant their feet where no man has gone before. Today marks the anniversary of the take off of the Apollo 11.

You might be considering dusting off your version of “The Right Stuff” to honor the occasion, but I’d like to recommend another film, a gentle, quirky charmer from Australia, called The Dish.

The Dish is a semi-fictional, semi-biographical accounting of the part that the telescope at the Parkes Observatory in Australia played in the Apollo 11 mission. Late in the Apollo 11 planning mission, NASA officials decided to telecast the first moon steps via television, and the Parkes telescope, along with the telescope at Honeysuckle Creek, also in Australia, would be the primary receiving stations for the signals. They would then send these signals on to NASA in the US, which would, in turn, broadcast the show to the world.

The movie focuses on fictional members of the Parkes Observatory crew, and one individual from NASA, as well as the people in the town associated with the observatory. Though based on a real event, some of movie’s storyline was fictionalized for artistic purposes. However, much of the movie reflects history as it happened, including the gale force winds that kicked up just when the telescope was needed, putting both it and the people operating it at physical risk.

The cast of the movie includes Sam Neill as the leader of the Australian crew, ably assisted by Patrick Warburten as the NASA rep. In my opinion, though, the story line that takes place in Parkes, where Roy Billing plays mayor, was just as compelling.

No mad chases, no computer graphics, or robots that turn into cars. This is a movie about a telescope in the middle of a sheep paddoc. And it’s the story, ultimately, of Apollo 11, and how one single event made the world just a little smaller.

You can catch “The Dish” online at Amazon Video on Demand, iTunes, Netflix Watch Now, or wherever you get your DVDs. If you’re considering a double feature, you might also want to check out Space Cowboys, another charmer that doesn’t disappoint.

And in celebration of Apollo 11:

update Fascinating comment thread related to a review of the book “Rocket Men: The Epic Story of the First Men on the Moon”. Note that the Gene Kranz referenced in the thread is the Gene Kranz who was the flight director for the Apollo missions. He was played by Ed Harris in the movie, “Apollo 13”. Sometimes comments, even acrimonious comments, are like little snapshots of history.

Plus, irreverent look at the moon landing, by The Onion. And there’s a video, too. Neither is safe for work, kids. No, really, I mean it.

Categories
Media Money

Frugal music

This week, I realized that my older first generation, fifth generation video ipod only has about enough room for a few hundred songs. In the years since I bought the device, I’ve managed to add an additional 15 GB of music to the already extensive collection of music from previously purchased CDs. And I’ve increased the repertoire of music I own, and can pick from any number of genres to listen to on a given day: from rock and roll, to new age, classical, jazz, folk, reggae, blues, swing, instrumental, show tunes, and even opera. And I don’t like opera.

Best of all, I didn’t have to go broke getting the music, nor do I have stacks of plastic CD cases littering the hallway. As I discuss in The Frugal Algorithm, there are many musical options for the frugal now available.

Categories
Money

Musical options for the frugal

Recovered from the Wayback Machine.

I don’t buy *plastic CDs anymore. Digital downloads is the way to go: better for the environment, and better for my wallet.

Online sites such as iTunes and Amazon’s MP3 get most of the attention when it comes to online music buying, but for the frugal music lover, there are other web sites; especially if you’re willing to go outside the box with your music interests.

One such web site is Magnatune, which works directly with independent musicians, and gives customers the option to pay what they can afford, rather than a set price. In addition, the site also features two membership types: one that allows you to download as much music as you want, per month, for a set price; the other that provides streaming capability. You set how much to pay when you sign up (with a minimum of $5.00 for streaming, $10.00 for download), and half the money goes to whichever artists you listened to (or downloaded) that month.

I have found some especially good classical music at the site, including Asteria, a beautiful duet featuring medieval classical music. For an instrumental, I recommend the debut album for AlmaNova, and anything by cello player, Vitor PaternosterEhren Starks’ “Lines Build Walls” is also very good.

The site also features many new age and alternative rock artists, as well as a good selection of jazz, rock, and international artists.

Another, more mainstream, music site is eMusic. Like Magnatune, eMusic features many new and independent artists, and like Magnatune, typically rewards artists more than they would be rewarded through sites like iTunes. I’ve been able to pick up many old time albums at the site, including music by The Shangri-Las, the Shirelles, The Andrew Sisters, Peggy Lee and Rosemary Clooney, The Everly Brothers, and Jelly Roll Morton. Beginning in July, though, eMusic’s offerings suddenly got a huge boost: Sony and all of its musical subsidiaries (Arista, Columbia, and many others) have now placed their back catalog on the site. This brings to the mix of older and indie musicians such music as the complete album set for Michael Jackson, music from Bob Dylan, Miles Davis, Janis Joplin, and Bruce Springsteen, as well as Christina Aguilera and Sarah McLachlan.

eMusic did raise its prices and reduce downloads per plan with this new change, which has made some indie music buyers unhappy. However, the site has also instituted a fixed album price, typically at 12 track downloads, regardless of album size, to many of the offerings, which with many of the albums (especially the Best Ofs), is a very good deal. Be aware, though, that some of the more popular albums may have fewer than 12 songs, but still be charged the 12 track price. Still, everything being equal, the music at eMusic is typically 40-60% cheaper than at iTunes or Amazon.

eMusic runs a subscription plan, where you get so many downloads per month, depending on plan. You have to use all your downloads, too, as they don’t roll over. I typically keep a list of single songs for those times when I have a few songs left over at the end of the month. The music is MP3, of course, as is the music you get from Magnatune, and iTunes, and Amazon, too. The days of proprietary formats seem to be over, long live DRM free music.

(Magnatune also offers other formats, including higher quality WAV files.)

Of course, iTunes and Amazon are still doing a brisk business, and both sites are good options for newer music, or music not showing up on the other sites. In addition, both regularly provide access to free songs, and special offers, which can provide a better buying option than eMusic, but you have to keep your eyes open—the specials typically don’t last long.

A frugal buyer is also a wise buyer, and shops around. Both Amazon and iTunes can indulge in gimmicks, from time to time, which are not as good a deal. One new option that iTunes is offering is what it calls Digital 45 or B-Side offerings, where you can download the “hit” and the “B-side” for a set price. There are only a few such sets available, and I’m not impressed with the cost. In fact, many of the offerings are available at eMusic for a better price. Still, let’s hear it for innovation.

You can also buy music directly from many artists, on their web sites. Most only provide CDs, but some will provide music for download. One advantage to buying music by the artist: there’s no question about who gets the money. However, many artists tend to charge more for music directly accessed from their sites than what is charged at a place like Magnatune, so check with all sites, first, before you buy.

Another thing I won’t do is use file sharing sites or other techniques to illegally get music for free. No matter what I may think of RIAA’s absurd tactics, not paying for music is theft, and hurts musicians as much as it hurts the studios. If the music is in the public domain, or offered freely by studio, web site, or artist, then I’ll gladly accept the gift, but I recognize it for what it is: a gift, not a right. Being frugal is not the same as being a cheap bastard.