Categories
Social Media

Podcasting history

I can’t stand the Initial Development history section of the Podcasting entry at Wikipedia. It’s horribly written and full of accusations and people’s names inserted just to mark themselves into the story. I was only half joking about editing the section, but I’m not now. I have no part in podcasting so I have nothing to win or lose by what’s listed in the history of podcasting–well, other than it pains me to see the Wikipedia entry as it now stands.

Following is a history, rewritten from the existing entry and taking into account current discussions. I do have a Wikipedia account, and will edit it under my account name (Shelleyp). Let me know critical elements that are missing from this history. Questions about items are embedded and if anyone has the answers, let me know.

What makes podcasting unique from other digitalized audio technologies is the use of syndication feed enclosures to automatically download audio files for those subscribed to the particular feed. The concept of using syndication feeds for this purpose originated with a draft proposal submitted by Tristan Louis, in addition to conversations between Dave Winer, author of the Really Simply Syndication (RSS) format, Adam Curry, and others. To facilitate this functionality, Winer created a new version of RSS, RSS 0.92, adding a new element, enclosure. He demonstrated, publicly, how it would work by enclosing a Grateful Dead song, January 12th, 2001.

The use of the enclosure element to push audio files originally had slow acceptance among webloggers or tool developers. Winer incorporated RSS enclosures into the Userland weblogging product, Radio. Since Radio had a built-in aggregator, it provided end-to-end podcasting support, though the term most used at the time was audio-blog or audioblog.

In June of 2003, Stephen Downes demonstrated aggregation and syndication of audio files using RSS in his Ed Radio application. Ed Radio scanned RSS feeds for MP3 files, collected them into a single feed, and made the result available as SMIL or Webjay audio feeds. In September of that same year, Winer created an RSS-with-enclosures feed for his Harvard Berkman Center colleague Christopher Lydon. In his announcement of Lydon’s audio-enclosure feed, Winer challenged other aggregator developers to support this new form of content and provide enclosure support. Pete Prodoehl released a skin for the Amphetadesk aggregator that displayed enclosure links; not long after.. (Who was the first third party aggregators to provide RSS enclosure support in addition to Pete?)

A month later, at the first Bloggercon held at Harvard, Kevin Marks was invited to demonstrate a script to download RSS enclosures to iTunes and synchronize them onto an iPod. Following, on October 12, 2003, Curry offered his blog readers a RSStoiPod script that would do the same. Curry put his Applescript in open source and called it ipodder, at ipodder.org, and encouraged other developers to build on the idea.

Possibly the first use of the term “podcasting”, itself, was as a synonym for audioblogging or weblog-based amateur radio in an article by Ben Hammersley in The Guardian on February 12, 2004. In September of 2004, Dannie Gregoire also used the term to describe the automatic download and synchronization of audio content; he also registered several ‘podcast’ related domains. His and Hammersley’s use of ‘podcast’ was picked up by leading podcasting evangelists such as Winer and Curry and entered common usage.

I still have to add links, but the text is what I’m planning on adding. Note that this cuts out many of the uses and examples of podcasting, which should either be removed entirely from the Wikipedia item, or moved into the section on popularization, or even a new section on history of podcasting tools and technologies. These are, in my opinion, the key elements of the history of podcasting, without enthroning individuals, and without referencing every person who touched podcasting, or even thought about it from the years 2000 through 2004.

You also will also note that I removed the reference to enclosures being in the RDF version of RSS. This is the history of podcasting, and regardless of what other technologies existed at the time that could implement syndication based subscription and production of audio file enclosures, the popularization of the concept of podcasting began with RSS 0.92. This is a history of podcasting, not syndication and media or streaming and media.

What key critical elements am I missing? Who contributed a significant element to podcasting who should specifically be mentioned by name? What errors have I made?

I’m not worried about the grammar so much, because this can be edited after I add the material. But I don’t want to upload this to Wikipedia and have it form the basis of an edit war because so and so was included while so and so was not. I’d like dialog on this before I make the edit.

Note, when I do make this edit I am aware that yes it can be backed out. That’s the nature of Wikipedia, and especially with contentious subjects, ‘owning’ the history is almost as important as ‘owning’ the discovery. However, note to those of you who want to write yourself into this history: it is contrary to Wikipedia’s procedures for you to edit an entry to add or modify entries about yourself. If you feel an error has been made, or that you have been erroneously omitted, initiate a discussion item associated with the article rather than edit the article yourself.

Or, in other words, as my friend Bud the camel would say: Stop screwing with Wikipedia! You’re really pissing me off!

 

(What surprises me the most about this article is how many of the people referenced in this entry have a Wikipedia page about themselves.)

Categories
Media

Matinee movie of the week

Weblogging is replete with Carnivals of this, Bonfires of that — most of which fall on a Friday before all of this gets put into sleep mode. One such I thought is missing is something along the lines of a Carnival of Matinee Movies. These are the movies you saw Saturday afternoons, either in a theater or at home on television.

Saturday matinee movies aren’t just film or cinema–they’re culture. How we are as people is greatly defined by what Saturday afternoon movies we saw with our friends, family, or by ourselves. They didn’t even have to be Saturday afternoons, because the Saturday matinee movie is a state of mind as much as a state of time.

I am not particularly good at starting a meme, so I won’t. Rather than attempting to start a “Matinee Madness”, I’m just going to write about Saturday matinee movies on Saturdays and if folks want to join, they can. If not, no big deal. At a minimum, it’s a change of pace from discussions about Wikipedia, Google, and big-haired bloggers.

Matinee movies differ for each of us. My roommate is partial to westerns, but my Dad favored war movies. Old dancing and singing movies ring other people’s bells, but my Saturday matinees invariably focused on science-fiction movies; usually featuring what I called the Playtex Living monsters.

I’m not alone in being brought up in the tradition of creature features on Saturdays. The SciFi channel seems to have tapped into this with its CGI movie of the week, but with, to me, much less class. Bizarrely enough, I fit the demographics for these types of movies: being a woman over 50 (and therefore to some conservative writers, equivalent to dog food).

I didn’t believe the demographics until I visited my Mom. She loves the SciFi creature features. More, she loves disaster flicks. While there, we watched shows on killer bees, killer locusts, and little nanobots that can eat a human in 3 seconds flat. Humanity dies a thousand deaths, weekly, at my Mom’s.

Mom went to The Day After Tomorrow at the movies twice, and while I was visiting, got into a conversation with her 82 year old neighbor next door about the merits of some kind of disaster flick on NBC. Listening to them, I was reminded of two wine lovers discussing the relative merits of a new wine. Yes, it had a good tension, but it spent too much time getting into the action. Oh my yes, that building falling down was especially good. It became flat, though, in the middle: not enough people squished.

If they do a remake of the Poseidon Adventure, as the rumors go, she’ll be in alt.

(Now, I like disaster flicks, too, but I didn’t like the Poseidon Adventure. The premise was good even if the clothes were awful. But I could have lived with the clothes, and the hair, and even Ernest Borgnine in yet another disaster flick. No, it was the song, you know what song. I still hate that song.)

I, on the other hand, grew up with monsters: from the sea, from space, and particularly from Japan. Yes, this means Godzilla. I loved Godzilla. It didn’t matter that the monsters were fake and the Tokyo looked like it was made of cardboard, or that the tiny little human being stepped on looked like Ken of Barbie doll fame. I loved it when the thing screeched; I loved when it would smash through power lines; and when it fought the bad monsters and would jump up and down with glee, I would join it.

As a consequence, I love Japanese movies that feature Playtex living monsters, no matter how improbable.

Recently PZ Meyers wrote a review of The Calamari Wrestler, a new Japanese flick where the hero, a famous wrestler, reincarnates as a giant squid. PZ, who most likely picked this up because of its giant squid associations (he, like me, is all things Archituethis Dux), started his review with:

I have seen The Calamari Wrestler. It was…indescribable. I won’t even try.

Variety had a few more words:

Funny pic about a brooding wrestler reincarnated as a giant squid is a kind of “Waiting for Godzilla” aimed at the midnight circuit. F/x, amounting to men in rubber suits, is proudly of the Ed Wood school, but tasty tale is served up with a redeeming wink. Quick sketch of Japanese pro wrestling history, couched in terms of island’s postwar identity problems, give extra context to the tentacle-in-cheek sports spoof. Cult suction should ensue, but it won’t see much theatrical ink.

A Japanese giant squid that wrestles–impossible to resist. It is now first in my Netflix queue. I’ll have a review of it for next Saturday’s Matinee Movie of the Week.

Categories
Just Shelley

Seasons celebration

For the first time in about five years I felt like celebrating Christmas; not much, just a little. I went to Big Lots yesterday and got some inexpensive lights to put around the windows and the steel guard on our deck. We won’t have a tree, of course, but I do like the lights.

When roommie got home I showed the lights to him–the twinkling stars and the computer controlled pulsing, purchased for a very low amount at a store that had very nice people who seemed in a very good mood. I asked roommie if he was interested in helping to hang the lights, but he wasn’t. That’s fair, he’s not into Christmas.

This morning, I put the lights back into their boxes, and stashed them away into a closet.

Categories
Social Media

But they is us

Susan Mernit pointed to an SF Weekly article on Craigslist founder Craig Newmark. Though she liked what the author, Ryan Blitstein, had to say, Susan expressed concern that he did not mention any women in the article–especially among the media critics. I’ll get into Susan’s concern later, tying it into something else I’m writing. For now, though, I want to look more closely at what Blitstein wrote about Newmark, the old media, and the new citizen journalism.

In reference to Newmark’s obvious financial success, as compared to Craigslist’s seemingly profitless persona and the somewhat negative impact this success has had on newspapers, Blitstein wrote:

It’s hard to reconcile Newmark’s utopian vision with Craigslist’s real-world revenues and the site’s effect on the media. To his credit, Newmark is obviously struggling with the issue. He doesn’t want to cause job losses, or contribute to journalism’s decline, and he hopes to use his power and money to fix the problem, but he isn’t sure exactly how: “I don’t know much about what to do about it, except to accelerate change. The news industry is experiencing serious dislocation. It’s happening. The faster it happens, the faster we get to new technologies, the more money and more opportunities journalists and editors will have.”

For nearly a year, he’s been talking up the use of new technologies, especially the potential of online citizen journalism. Now, he’s finally ready to put his money where his mouth is by funding a new venture. “It needs noise, buzz, and some smartass like me getting people to talk,” he says, animated as a preacher, so excited he nearly jumps out of his chair. “And I have to dwell on this, and this is big, and this may be the biggest contribution I ever make.”

Blistein carefully questioned the assumptions about the inherent goodness of the new citizen journalists–not because citizen journalism is not capable of contributing to the good of all; but because citizen journalists will never have the facilities, discipline, and opportunities to follow through on more in-depth stories:

Citizen journalism may become a helpful supplement to mainstream reporting, especially in smaller towns, just as bloggers help elucidate news on specific topics for millions of readers. But the more important (and more challenging) the stories are, the more likely it is that citizen journalists won’t have the wherewithal to complete them. “Citizen journalism will not be the Fourth Estate,” Cauthorn says. “It’s not going to sit down and stare across the room at an army of lawyers for some government official who’s outraged that you’ve written about his misdeeds.”

But if citizen journalism can’t replace the traditional media, surely its effects are innocuous, at worst. Not ncessarily so, as Blitstein points out:

In the best case, Newmark is joining a movement that will someday be of moderate help to the mainstream media. In the worst case, citizen journalism’s optimistic supporters, in neglecting the problems of the public institution that is the mainstream press, may leave America with both a failing news media and a mediocre technology that offers little assistance on essential stories.

Oddly enough just after reading this article, I received a link from Jonathon Delacour this morning to another writing that covers somewhat this same theme (found via a post at Drunken Blog). The writing was a weblog post titled, Party like it’s 1999, by photojournalist Jim Lowney. It in, Lowney talks about meeting with his old friend Tim Blair at the Open Source Media launch party.

A little corvid out in Reno mentioned yesterday that the mad Aussie journo Tim Blair was back in the Big Apple…Better yet, there was some sort of blogger conference complete with a free cocktail party or wine time or such…Blair said it was the launch of something called Open Source Media, formerly known as Pajamas Media, a massing of bloggers in some business venture.

What is *Open Source Media? The site says, among other things:

Where journalists once gave us “experts say,” blogs give us the experts themselves. And where faceless, “objective” editorial boards once handed down opinions and endorsements, bloggers sound off, the numbers on their public sitemeters lending them unassailable credibility as voices for the rest of us.

(emphasis mine)

It purports to be some form of formalized citizen journalism and it’s advisory board has members both luminous and not within weblogging circles. However, it was the staff that gave me pause; staff such as Founder and Chief Technology Officer, Charles Johnson. If you’re unaware of that name, let me give you Mr. Johnson’s weblog: Little Green Footballs. And who is CEO? Well, none other than Roger Simon. Looking through both the Advisory Board and staff, the only person who seems to be missing to truly give this new effort that necessary ‘rottweiler/pit bull’ feel, is Josh Trevino. But have no worries at his absence: he’s over at yet another example of citizen journalism, Spot On. (Well, Michelle Malkin could do equally well, but she’s busy writing definitive history books.)

At the post launch party, while attempting to have a quiet smoke with his old friend, Lowney recounts his experience with most of the attendees:

The September 11 attacks quickly became the meat of the conversation. But these nice folks didn’t mention the horror or death or the survivors or the wounding of a city or brave firefighters or fatherless children. They didn’t even offer a personal tale of the day. There were no “I remember exactly what I was doing when I heard” stories.

The talk went straight to the media coverage…I believe many of these people have come up with the information equivalent of the biggest mistake in dirty politics. As we know in politics, it’s not the alleged crime but the cover-up that takes you down. To some of these bloggers, it is not the story that matters but the coverage. And they want to use the coverage to take down whatever news outlet doesn’t fit in their world.

And they want to use the coverage to take down whatever news outlet doesn’t fit in their world. What news outlets? The New York Times, the Washington Post, the Sydney Morning Herald and the BBC among them; even my city’s own St. Louis Post-Dispatch. In their place, we’ll have Open Source Media and Spot-On and Newmark’s effort with Jarvis, not to mention Dan Gilmor’s Bayosphere effort and all the others–most either funded by eager venture capitalists or adoring fans; most run by people who have ‘made it big’ in weblogging more by being colorful pundits than by being journalists.

To aid them, we’ll create new applications that will allow us to discover the differing opinions, the divese voices, and, above all, the Truth; applications based on the same technology that now helps us discover fresh, new voices, and that obscure but essential story.

Earlier in his writing, Lowney detailed how he was introduced to a group of the launch attendees by Blair:

Blair was making up stories about me in Bosnia and then said something about covering 9-11.

“So, you went right from the war in Bosnia to 9-11?” asked one woman. The woman next to her also eagerly awaited my answer.

I just looked at them and said not exactly.

In his article, Blistein references Wikipedia, seen as a combination validation and poster child for mass editing and other cooperative efforts:

Many citizen journalism proponents believe the best method is to let users do everything — reporting, writing, and editing the stories with minimal oversight. The shining example of the self-correcting site is Wikipedia.org, the online encyclopedia with 818,000 “wiki” Web page entries written and rewritten entirely by a volunteer user community. Users argue over facts and opinions within forums, and the site generally avoids “edit wars” over the content of pages.

As evidenced in my previous post, ‘edit wars’ are only a click away at any moment. In fact, we have discovered, over time and in sad, tedious detail, the subjects where an edit war is most likely going to take place are the most vulnerable subjects, and the ones where we need an assured neutrality the most.

In response to today’s Wikipedia happenings, Dave Winer made what I felt was one of the best statements about the entire event. As you read it, though, consider replacing Wikipedia with Wikipedia and citizen journalism:

the bigger problem is that Wikipedia is so often considered authoritative. That must stop now, surely. Every fact in there must be considered partisan, written by someone with a confict of interest. Further, we need to determine what authority means in the age of Internet scholarship. And we need to take a step back and ask if we really want the participants in history to write and rewrite the history. Isn’t there a place in this century for historians, non-participants who observe and report on the events

No worries, Dave. I’m sure Malkin’s available.

*As Karl reminded me in comments, the launch of Open Source Media was not without its own contention about the group’s ‘authority’ in regards its name. See Philly FutureBuzzmachine., the original Open Source Media holders–yet another citizen journalism effort. (Do take note of the 3.5 million venture capital dollars necessary to run this not-for-profit media enterprise.)

In the end, the organization changed its name back to Pajamas Media. Whew, democracy was saved for all. After this experience, perhaps they would be good candidates to clean up the Wikipedia entry regarding podcasting’s history. They’ve had a lot of recent experience changing text.

Categories
Social Media

Please, have an edit war

Recovered from the Wayback Machine.

Kevin Marks writes today:

I got edited out of the history of Podcasting again by a mysterious IP address 82.108.78.107

If you do a whois lookup on this address, you can see it was Adam Curry.

I did previously reinsert this reference to my Bloggercon demo with citations, and I don’t want to get into an edit war. Suggestions welcomed.

I dunno Kevin: seems to me that telling the world that Adam Curry rewrites history to suit himself is both an effective way to highlight the problem, as well as fire a damn big cannon. I can understand your frustation, though–podcasting is big, and if you played a part in it, you want to be acknowledged. Fair is fair.

But I disagree with you on avoiding an edit war of the History section of Podcasting at Wikipedia. This item badly needs an edit war; it needs something. The section is poorly written, disjointed, jumps all over the timeline in no understandable pattern, and seems confused. Compared to other sections of the document, which are very nicely written, you can see the effects of a tug-of-war between personalities; some of whom should, perhaps, stick to audio casts.

Not that I’m naming names, you understand. Wouldn’t want to get into an edit war or anything.

Oh no! Someone brought in a Howitzer!

Just so you all know, I’ve decided to edit the history section. It needs the delicate, deft touch of a woman, don’t you think?