Categories
Writing

Kristof

Recovered from the Wayback Machine.

Coming home from the park tonight, I had the windows rolled down to catch the evening breezes, and the music cranked loud, enjoying being out of the house and away from the computer. I was on autopilot, not really paying attention to my surroundings until I pulled up behind a dark green car at the spotlight. The license plate read KRSTOF.

KRSTOF. Kristof. A name that evokes images of dark gypsies with mysterious ways, brilliant red sashes holding hair back from unnerving black eyes. I peered into the back window of the car but the glass was too dark and the sun against it to bright to see anything more than a shadow of a head. A male head. Of course.

When the light changed and as we drove, I thought about this man in the green car, with the name that rolls across your tongue like fine chocolate or the merest wisp of fine cognac.

Kristof is a hiker, like myself, but unlike me, with my walks along the Katy Trail and Powder Valley, he’s traveled all throughout the world, hiking the fjords in Norway and the hills of Scotland. He speaks with a slight accent, the product of his early youth spent in Europe, as the son of a university professor who taught medieval history.

His face is lean and dark from the sun, and wrinkles formed grooves down his cheeks and a single line between his eyes. He’s is in his 50’s, but age sits on Kristof as lushly and caressingly as the dark, sable soft mustache sits over his thin lips.

His hands grab the leather wrapping of the steering wheel, fingers long and slender but strong; gentle hands with calloused fingertips, a legacy of years of playing classical guitar. Around his neck he wears a silver necklace, weighed down by an extraordinarily carved amber leaf, held in place by intertwined silver vines. The pendant was a gift on his 40th birthday from his mother, an artistic and eccentric woman who used to make him soft boiled eggs sprinkled with chives and dotted with caviar for Sunday breakfast.

His parents are separated, and have been for years; though apart, they still remain close. There is love between them and always will be, but it’s not enough to overcome their need to be free — a need that chafes at the bonds of daily cohabitation. As soon as Kristof was old enough, they talked with him about this need to be apart and from that moment he alternated his time between them, content with his odd but satisfying family.

Kristoff’s father is retired, living in Denmark and doing research for a book on Margaret, Queen of Denmark, Norway, and Sweden. Margaret, a queen in a land dominated by men, was gifted enough to capture the hearts of the people and keep peace in her homeland of Denmark; strong enough to extend that peace through marriage and alliance to include Denmark’s neighbors, a rare moment of unification for an area with strong regional ties.

Kristof’s mother is visiting Russia, searching for fine specimens of Baltic amber, the stone she uses for all of her jewelry. At one time she used other stones, such as onyx and opal and Lorimar, but after her first creation with amber — the very pendant on her son’s necklace — she would work with no other material. In Moscow, she meets with an old friend and over cups of strong tea served in tall glasses held by delicate silver filigree, they talk of rumors that another piece of the famous Amber Room has surfaced. Entirely crafted of fine amber in different hues, the Amber Room was a gift to Peter the Great from the King of Prussia, and they say to walk within it was like bathing in pure sunlight. The room disappeared during the War, stolen by the Nazis and some said destroyed in a fire, others said at the bottom of Baltic Sea when the ship carrying it was sunk.

As much as he loves his parents, though, Kristof’s mind is not on them, Margaret, or amber. He’s thinking of a trip two weeks ago when he was visiting a close friend who lives in Maine. They had spent a fine day out on a boat owned by his friend’s brother, sailing about the bay with the Atlantic breezes cool as they blew through Kristof’s thick, dark hair; the sun warm as it touched upon the glint of silver at his temples and in his mustache.

The boat was trim and sleek and the gathering of friends and family was warm and friendly, made more so by another guest, the cousin of his friend’s brother’s wife. He had noticed her as soon as he stepped on to the boat, a woman with chestnut hair down to her shoulders softly framing a face lovely, but not beautiful. She had a light dusting of freckles across her nose that he only noticed that evening when they walked along the beach and he bent down to meet her face tipped up to meet his. The moonlight and the golden glow of the antique streetlight next to the beach picked out her soft grey/green eyes, a hint of laughter and something else, something more subtle, reflected back at him.

In the morning, they shared strong, rich coffee made smooth by sweet creme, and spread blueberry jam on fresh, still warm muffins. The day promised to be another fine one, with only faint wisps of fog curling around the trees by the shore. They ate on the porch, sitting in rockers worn grey from years in the salt air and smooth by the bodies of past visitors, occasionally tossing crumbs to the seagulls that shamelessly begged at their feet.

Kristof remembered her soft curves and generous mouth and the blue-green tang of the ocean, always the ocean behind and around them; but more, he remembered her laughter and how well their words met and melded into crystaline phrases he could still recall. He told her about autumn in St. Louis, looking at her from the corner of his eye as he spoke about the deep greens of the hills turned into the same brilliant colors of his mother’s collection of fine amber. He also made sure to talk about nights filled with delicately fried catfish accompanied by dark beer, and cool, blue jazz. His words were both a promise and a lure, and he wondered whether he should wait until he got home, or pull over then and there and call her on his cell phone.

At that moment, Kristof turned into the left turn lane, and I pulled up beside him and then passed, eyes forward and on the traffic surrounding my car.

Categories
RDF Writing

Practical RDF-Generating giggles around the world

Practical RDF has now been immortalized in a comic strip.

Achewood

Hey! I love black licorice!

Categories
Photography Weblogging Writing

Big Water

Recovered from the Wayback Machine.

Pretty tired today, and no, it has nothing to do with the peace party that happened in the comments to the last post. The participants worked things out for themselves, which is as it should be. I’m not sure what Happy Tutor is doing and where he’s taking it, but he’s a big boy and can handle burning material. Since he’s taken said burning material elsewhere, I am content.

I’m currently working on three articles for O’Reilly and some other promotional activity for the Practical RDF book. Additionally, I’ve been out virtually knocking on the doors of several local and national publications trying to re-awaken my moribund writing career. The end result of this activity is that I need to write. A lot. Knock a bit more, write a bit more, and repeat.

I also need to drop some of the bad writing habits I’ve picked up with weblog writing, such as the assumptions, the higher level of familiarity, the creative spelling and sentence construction, the use of ’so’, and the other quaint little short-cuts that fit this format, but not necessarily others.

So … I’m organizing my photos into online albums and am surprised at how many there are. Once finished, I need to select the best 50 for one portfolio, and then the best 20 of that number for another portfolio. However, when I think of my photos in something like a portfolio, my view of them changes and I become more critical of the work. It’s hard to explain but when you look at a photo one way, it can look good; but look at the photo from a different perspective – and I’m not talking the photo’s perspective – and it doesn’t quite work. At the rate I’m going, I’ll be lucky if I find five that work.

This phenomena happens with writing, too.

I’m planning a little trip South and along the Gulf in the nature of a combined vocational challenge/public interest jaunt. In September when the kiddies are in school, the weather cools, and the gas and motels are cheaper.

I don’t think I’ve posted the following photo previously. It’s the Chain of Rocks Bridge again, part of the old Route 66. I’m not saying the photo’s a portfolio member, but it’s cheerful, don’t you think? Imagine Nat King Cole singing in the background, and being in a convertible wearing a soft summer dress and iron maid bra, breeze blowing your hair in the warm, humid night. Get your kicks on Route 66.

rt66bridge.jpg

Categories
Writing

I am Alice or writing through the looking glass

Recovered from the Wayback Machine.

Sometimes enough disparate elements come together and you have to write about it because to do otherwise would be to toss fate’s good idea down the drain. So I find myself writing about writing and weblogging and self-censorship, when I think I should be writing about a girl and a bicycle and trees with eyes.

Last week I wrote about Fight or Flight, an essay about me coming to terms with how I deal with the negative comments that can occur with much of my writing – usually my technical writing, though I’ve attracted a few wasps with my political writing. I mentioned in the essay that I was inspired by another post but didn’t want to link to it because I didn’t want to bring relationships into a story, which ultimately was about my own journey for understanding. Unfortunately, the linkage occurred anyway, but fortunately, it didn’t leak into my writing – the words were accepted at face value, on their own worth, for good or bad.

There are times, though, such as now, when I’m not only inspired by others’ writing, I link to it because they’ve started a conversation and I’m only one voice in it. I am not so clever as to write with multiple voices in one writing; I can only write in my own.

Happy Tutor’s been writing quite a bit about the anger, aggressiveness, and the flaming that can creep into our conversations at times: here and here. In particular, one essay highlighted the conflict of differentiating between the flames of passion and the flames of cruelty and how, at times, the only difference between the two is one of perception. He writes:

Any time you talk about gender differences in a profession, you might as well expect a bashing. All I would ask, if you are seething with indignation, if your selfhood is now in play, is a) discharge yourself fully b) respect other people’s right to be wrong and c) recognize that we are all fearful and sometimes immobilized on this ground strewn with landmines. So, in other words, make allowances, if you can, for other people’s vulnerability, as you would hope they do for you – still, discharge the emotion fully. Any one with a good maternal instinct, or paternal, for that matter, is welcome to bind up the wounds we inflict on one another. The truth is just a word for what might emerge if we had the courage of our convictions, and the courage to learn by putting them at risk.

For a woman who writes from a platform of passion, I see these words as a benediction and a bane. If selfhood is engaged then we have to recourse but to expend our emotions, but does this mean we should not allow our selfhood to be engaged? Or does this mean, when we do, we have no option but to respond honestly, even passionately if passion is how our truth is conveyed?

I was considering this and not sure if I wanted to write about it when I received an email from Elaine about a posting she wrote in response to a Chris Locke diatribe, written in response to another weblogger’s posting. It would seem that the recipient of the Rageboy writing was so upset by it that she pulled not only the one posting, but her entire weblog.

Elaine writes Shame on you for shutting down a female blogger’s weblog:

So when bad boy Rage Boy spoilingly shuts down a fellow female’s blog for fun and fame, I say shame, shame on you, you sad, bad, boy blogger. Is that what blogging is about? Slash and burn? If you don’t like it kill it? (Sounds an awful lot like Dumbya, doesn’t it?)

I couldn’t read the original post that set Rageboy off, but I did see a piece of it at Blog Sisters. In it, the writer, Lindsay, talks about seeing a personal ad that read, in part, SWF, 40, attractive. Looking for man aged 40-55 for friendship, maybe more. Of the ad, and the need for relationships in general, she wrote:

t’s not so rare for me to talk to someone, who is about my age and has never had a relationship, and hear them saying “I feel so lonely. I wish someone wanted to be with me.” I even read in one person’s online journal that he wanted someone “to fill this hole inside of me.” The confusion of it all is so crazy, the thought that we need someone to fill the gaps in our lives, that we cannot live fully until we find our “soulmate” who is going to make us feel complete, and we can finally be happy and carefree and la la la.

I think most of this is due to laziness and insecurity. People don’t want to do the work on themselves so that they can feel complete independently. They want someone else to do it..

The problem is not that you haven’t found “the one.” The problem is that people are often too lazy to spend much time working on themselves alone, when they have the chance to do so, before they end up in a relationship and a situation where they will almost inevitably end up codependent.

There is much to agree with in Lindsay’s writing and I’ve written before that other people cannot make us whole, we can only do this ourselves. However, regardless of our wholeness or not, to see loneliness and react, at a minimum, without understanding and with intolerance is just as ‘ugly’ as to use words that overtly burn on their reading. It’s easy to condemn and criticize the woman in her 40’s who is lonely and seeking companionship, when one is not in that person’s shoes. Or, in Chris Locke’s shoes, worn loafers of a man in his 50’s, also lonely, always attracted to the flame that will ultimately burn him.

I, too, am lonely, without the closeness of a dear companion, a warm body to hold at night, a warm soul to hold during the day; I also am my 40’s and on the shady side of life, but where the lady in the ad sought companionship, I submerge my loneliness in my writing, and use it to give my writing depth. Does this make me superior? Or just different? Regardless, there’s pain in loneliness and to dismiss it with jejune assumptions of laziness is to invite response. Yes, even passionate response.

In Elaine’s comments, Lindsay wrote:

I didn’t actually choose to run. I had been thinking about shutting down my blog for awhile, because I’d been getting sick of all the nastiness going on in the blogosphere, especially on forums. Nothing like this had happened to me before though, and I figured it was the most opportune time to do what I’d already been planning on doing anyway.

I find it amusing how throughout this whole thing, there have been many comments about my age and implications about my lack of maturity and/or life experience, while at the same time the “adults” are the ones behaving in a way that is reminiscent of recess in Kindergarten. I’m sorry, but you’ll have to play without me.

I’m not defending Chris – as Lindsay wrote in Elaine’s comments, he also attacked her beliefs in addition to her writing, and I can’t defend that. But I can also understand his anger – easy for you to talk about laziness babe, when you’re not the one hurtin’.

The issue, though demonstrated effectively by this interchange, really has to do with that civility that Happy Tutor writes about. The problem with civility, though, is that it’s so open to interpretation. Some would say that being civil implies agreement, others that the discussion stay passionless and non-personal, and still others that anything goes as long as the parties agree to engage at a certain level.

It’s not easy to figure this all out. I think of reducing our writing in disagreement to assertions that begin with “I beg to differ”, and my blood runs cold; we have sold the heart of us, traded it in kind for polite political correctness. One person’s ugliness, is another’s beauty, and perhaps that’s what Tutor was saying – we must continue as we start because to do otherwise, is a lie.

In a technical post that was almost guaranteed to generate flames, I wrote about Pie/Echo/Atom and a recent seeming rejection of using RDF/XML for its primary format. How odd that a topic so seated in technology can be so potentially explosive, but any who know the players should, at this point, be shuddering at the implications. In this case, though there was disagreement and a combination of players that should have resulted in burning bits of cinder raining down on all – the conversation stayed civil. Not without bite, and not without passion, and there were hooks aplenty on which to launch flames, but it stayed civil.

I consider this thread a triumph for all the participants, but would others point to it and say, “See, lack of civility”?

This issue is only compounded because so many of us know each other, either through months, years of communication through our weblogs and phone calls and emails, or even in person.

Happy Tutor uncannily, or perhaps knowingly, also writes on self-censorship because of assocations we make with each other. This follows from Steve Himmer’s essay, where Steve talks about the impact knowing our audience has on us:

I’ve been thinking about an aspect of reading weblogs that I hadn’t considered before as I approached them as literature and whatnot. Namely, what difference does it make to our reading(s) when the blogger in question is an offline acquaintance, let alone someone we consider a friend.

So we lose the anonymity, and gain richer friendships, suggesting that we are forced (or feel forced) to censor ourselves more closely, be more careful about how we write ourselves and, perhaps more importantly, how we write about others…This suggests a dovetail between questions of audience and issues of acquaintance, but that makes sense: part of the shift from anonymity to known entity we undergo as webloggers as we become more and more social, on- and offline, corresponds to a shift our audience undergoes from nameless, faceless readers (or, when we begin writing, no readers) to known and named readers.

Tutor responds with:

In the course of this perceptive and congenial post, Steve suggests that as we become better known face to face, and via email, among our blogging circle, that we necessarily begin to censor ourselves, for fear of hurting those we now know, and for fear of the repercussions in the larger social world. Some might say that such self-censorship is a step towards civility. It can also be like “coming out,” an act of courage – or stupidity.

(Neither edge of Tutor’s sword is dull. I wonder if this is natural, or if he deliberately hones the safe side to keep his readers from experiencing comfort? )

Steve and Tutor both make a point: unlike other writing, the audience we have here is not that unknown Reader, but people we have come to know. Does this effect our writing? How can it not? But does this, then, lead to a lie – that unexpressed emotion that Tutor wrote about earlier?

Returning to my essay Fight or Flight, and my hesitancy to link to another weblog post. I did not link because I did not want to write to an audience of close friends – I wanted my audience to be Reader. I did not want to join a conversation, or invite a conversation, unless it had to do with the words, not past associations. This isolation is almost unheard of in weblogging, but it’s essential for writing. Writing centers around the words and the intent, the passion and that pesky truth – not friends’ expectations and feelings, old baggage and civility.

I hesitate now before I link to another weblogger’s writing. I think to myself, “Will this person want to be invited into this conversation?” and “Do I want this writing to become a conversation?” If I can’t unequivocally answer either of these questions with Yes, then I am not going to linclude a reference to their writing. Yet, this is considered uncivil. Do we choose writing, or do we choose community?

This would be all so much easier if we had thick skin and little sensitivity; but then we’d also be lacking in empathy and passion, joy as well as sorrow – pleasure and pain; what good the writing without the wonderful highs and lows?

I know one thing without ambiguity: I am a writer. Anything else, is and must be secondary; and the consequences of same is, all too often, more loneliness in which to feed the muse.

desertalone.jpg

Categories
RDF Writing

Even chickens can learn RDF

In a clever play on my For Poets weblogs, specifically my Semantic Web for Poets – a warped menage a duo of technology and art with images of rusting robots and silent metallic forests with moblogged fallen trees – Danny Ayers has created variations on the theme, all based on my RDF book.

There’s:

RDF for Woodcarvers
RDF for BellRingers
RDF for Chickens
RDF for Painters

…and others, all with their associated photographs.

And they say technical people are smart but not artistes. Ha! They say, let them say!

for-woodcarvers.jpg