Categories
Media

Great Day!

It’s a great day today, with temps warming into the 40’s and snow melting. I’m going to go find a place where I can go for a genuine walk. A real live, genuine walk, not a careful shuffle across ice. And I’m going to listen to my Bette Midler does Rosemary Clooney songs CD on the way.

I really like this CD, especially “Come On-A My House”, which makes you want to toe tap your way through the produce department (which I did Sunday). Bette isn’t Rosemay and she doesn’t try to be, preferring to showcase the music as she interprets it. I actually prefer Bette’s version of “This Ole House” over Rosemary’s, but no one does “Hey There” like the original. I love that song.

I need to add this CD to my collection. And then there’s the new Norah Jones, Feels Like Home.

Wonderful, wonderful music. And a fine day in which to listen to it.

Come on-a my house, my house, I’m-a gonna give you candy.
Come on-a my house, my house, I’m-a gonna give you
apple and a plum and an apricot or two, ah!

Come on-a my house, my house come on.
Come on-a my house, my house-a come on.
Come on-a my house, my house, I’m-a gonna give you
figs and dates and grapes and a cake, ah!

Come on-a my house, my house-a come on.
Come on-a my house, my house come on.
Come on-a my house, my house, I’m-a gonna give you candy.
Come on-a my house, my house, I’m-a gonna give you everything.

Doo da doo, doo da doo da!

Categories
Media

Faint notes

There’s a song that’s been going through my head for the last few days, and I can’t remember any of the words. It’s a sad/sweet song, and I vaguely remember hearing someone singing it, but not the words, and not even the person.

If I knew enough about music I would try to recreate the tune in writing. If I had a lovely singing voice, I’d record me humming the tune and post it online for help in identification. For now, I guess it will have to live as a ghostly melody. But then, there’s worse things for a sad/sweet song.

 

Categories
Media

Movie, anyone?

When Dave Rogers typed in members from his old sci-fi movie collection, I knew that I had “This Island Earth”, stuffed somewhere among the videos. While picking through the packed boxes, I was able to find my old, beloved copy of “Them”. I almost feel like I found a forgotten hundred dollar bill, stuffed into an old, discarded purse.

The movies aren’t DVD, but that don’t mean no nevermind to me. If they’re a little worn and scratchy, why that will just add to the effect.

Popcorn, anyone?

Categories
Media

Amazing what you can find online

Recovered from the Wayback Machine.

Dave Winer mentions a contribution he made to Boston’s NPR affiliate, WBUR. He’s curious, though, about the salaries of the folks, such as the general Manager Jane Christo’s pay:

How do I call in and ask questions on the air? How much salary does Ms Christo draw? How many execs are there at WBUR and what are their salaries? And how about the talent, how much of my money do they get? I suspect that public radio in the US is like most other industries, execs control the money, and get most of it, and don’t do very much for it.

A quick google search on “wbur” and “salaries” brings up a reference to Dave’s friend, Christopher Lydon, as luck would have it. It seems that when Lydon worked at the station, he was the highest paid talent, at 230,000. And he wanted more:

I like ‘’The Connection,’’ but I was stunned by the size of Lydon’s salary and the fact that he and his producer still weren’t satisfied; they wanted an ownership stake in the show. When Lydon and his cohorts at WBUR ask listeners like me to support the news, I knew salaries were an integral part of the news, but I had no idea they were such a large part.

The article also makes a good point about how we view charities differently from other types of business:

Kate Berseth, who has done fund-raising and fund-raising consulting for more than 10 years, said donors tend to overreact to high salaries. All too often, she said, donors harbor the incorrect assumption that ‘’do-gooder charitable work’’ isn’t worth as much as for-profit work.

Lots of online links about WBUR and salaries, and Lydon no longer being at WBUR. Rather than Dave calling the station and demanding that the station discuss what Jane Christo makes online, perhaps he should ask his friend, Lydon, what she was making when she fired him?

Categories
Media People

We just hate being contacted

The discussion about copyright, generally, and Creative Commons, specifically is continuing elsewhere, and I’m extremely pleased to see others speak out with their concerns, opinions, and questions.

In particular, I loved what Phil Ringnalda wrote today:

What strikes me as uproariously funny about the rush to CC license weblogs, though, is that probably the most useful feature of licensing something that you don’t mind having people use is the way that they don’t have to ask your permission before they use it. And you know how we all hate having people contact us, with our dozens of comment links and TrackBack URLS and semi-obfuscated email addresses and we-hope-it’s-spam-proof contact forms. I can’t think of anything more horrifying to a weblogger than to have someone contact them out of the blue and say “I liked something you did so well that I would like to use it myself, may I?” Why, I myself have twice had people ask if they could borrow a couple of sentences I wrote, and both times I found it a horrible imposition to have to reply, since I was entirely too busy dancing around the room shouting “someone actually asked to use those two sentences.

At this stage in the Practical RDF book, I needed the laugh this gave me. More importantly though, is that Phil made some excellent points in this posting and in the next one he wrote, where he commented on the confusing and conflicting copyright notices currently on Donna Wentworth’s Corante weblog, Copyfight.

It’s interesting but in regards to this issue, each of seems to have a different focus. Jonathon’s focus in his last posting related to this topic was about his proprietary view of his creative works. AKMA’s is on the length of copyright terms; while my focus, at this time, (and it looks as if Phil’s focus is the same as mine) tends to be on Creative Commons and my concern about people not fully understanding what this means to ‘give away’ what you write in your weblog.

It’s true that no one is forcing any of us to waive all or part of our copyright. But it does seem as if there is a great rush to plunk that CC graphic on one’s weblog, without a clear understanding of the effect of doing so. Unfortunately, there’s been less discussion about the negative impacts of a CC license than there are the glorious positive impacts. This is going to bite some weblogger in the butt someday.

For instance, did you know that you can copy a weblog that’s been donated to the public domain in its entirety, including look and feel, and all content, without having to give attribution? And that you can even charge for this writing?

Quick! Guess who wrote the following:

Bin Laden’s genius is inventing a new form of chess, one where countries are not sides in the contest but squares on the board. As in the game of chess, one must be willing to make unexpected sacrifices, and to know the opponent’s possible moves at least as well as you know your own. As for the rest of the rules, we can only guess. Obviously Muslim countries are all over the board, with Saudi Arabia, home of Mecca, at the center.

It is also obvious that bin Laden knows how to play our side at least as well as he plays his own. Why else would his pawns have been able to hijack four large passenger aircraft in one day and turn them into enormous missle bombs against American landmarks — all with horrifying efficiency?

It is finally safe to assume that right now he has a good idea what we’ll do next. And even if he doesn’t know what his side will do, he does know we won’t expect it.

So: if we kill him, will we have checkmate? Or will his side merely have sacrificed its queen?

Perhaps it will help if we give this game a more appropriate and realistic name — one closer to what bin Laden has in mind.

Let’s call it World War III.

To all intents and purposes, I don’t have to tell you who wrote this. So I won’t. Guess.

Legally I can put this into my weblog, take credit for the words by not attributing the words to another, plunk my own copyright on it, and I can freeze the use of these words where the original author can’t. All I have to do is change a few of the words, just enough to make it a derivation of the original, and therefore an ‘original’ creative work by me.

Is this legal? How do I know, I’m not a lawyer, but we’re being asked to assume some of the responsibilities of being lawyers in order to understand the impacts of the Creative Commons licenses on our weblogs, and other creative works.

Now you tell me that this isn’t a concept and a license and a movement that doesn’t have potential problems. And if you don’t see it then you go right ahead, put that weblog of yours into the public domain. And if you do, then can you send me a link to your weblog? I might need material for my own weblog in the future.

Archived with comments at the Wayback Machine