Categories
Photography

On understanding photography mechanics

For the first few decades of taking photos I was content to understand apertures and film speeds, the ‘rule of thirds’ and so on. It was while I was looking at possible lenses to add to my kit that I realized there’s a completely new world of photography mechanics I know nothing about. Mechanics of more than just lenses and cameras–this includes the mechanics of light, color, motion; the space where photos are presented; the human eye, not to mention human brain. If I want to improve my photography, it’s time for me to go back to school.

Jonathon Delacour sent me a link (discovered through Reid Reviews) to a set of essays written by Ben Lifson. These essays focus on composition and utilizing the world of non-photographic art as instruction material. Lifson’s use of sketches to accentuate those aspects of a photograph under discussion is fascinating and informative. Intimidating a bit, as I realize how little I do understand about composition (and shadows and subjects…).

I especially like Lifson’s 4th essay where he talks the importance of keeping ‘picture’ in our minds:

The alpha and omega of our efforts are pictures. “Picture” is the defining term.

Saying “picture” instead of either “image” or “photograph” is one of the most useful things you can do to improve your work. “Image” confuses the issue. Any image of something, inso far as it represents the thing, is as successful as any other.

I’ve never seen this before, and I understand exactly what he’s saying. If we’re taking a photo of a house, it is a picture of a house. As such, it’s essential to only capture that which is essential to the picture. If the hillside behind the house has pretty purple and yellow flowers and would make a nice ‘image’ when framed with the house, it’s still not a picture of the house.

Excellent set of essays.

Categories
Photography

Lollipops

Fascinating take on the Stolen Lollipop scandal that’s erupted between the world of photography and the world of weblogging. Thanks to 3 Quarks Daily for the link.

At issue is a new gallery opening showing photographs of children obviously upset and crying. Several webloggers took umbrage at what they called ‘child abuse’. The photographer and her husband said it was no such thing, it was a case of giving the children a lollipop and taking it away.

My take: unless they have to pose for these photographs daily, I doubt the children will be emotionally scarred from this event. However, I don’t like the photos. I think they’re contrived and overly sentimental and melodramatic. They perfectly reflect the photographer’s stated inspiration, which was so maudlin, it made me gag.

Give me the freshness and honesty of Walker Evans. Any day.

From the article:

In the end, “This is more a story about blogging than about photography,” said Stephen White, formerly a gallery owner and currently a private dealer and collector in Studio City. “It’s about a generation that’s so caught up in itself that everything it says it thinks is significant, even though it’s not saying anything at all.

“People in the photography world, anyone who is sophisticated about photography, knows that this is not offensive,” he said. “Taking away a lollipop is not child abuse. There’s no irreparable harm. I’m just not sure there’s any significance to the photographs, either.”

Categories
Photography Places

Keep the Faith

Recovered from the Wayback Machine.

There’s a famous Catholic cathedral here in St. Louis: The Cathedral Basilica. It’s a beautiful building, with its green tiled dome and solid, hewn stone walls. What makes it unique, though, is its collection of mosaics. Only the Vatican has more mosaics.

Main church alter

I visited the Cathedral this week to scope it out for photographs for the MissouriGreen site. All visitors are welcome, with the only limitation on no photography in one small chapel to the side. They provide formal tours, but there are usually people about answering questions, providing stories of the mosaics, and the Byzantine architecture that inspired it. For instance, did you know that the balconies in many earlier churches were added so that pilgrims who traveled from afar could camp out there at night?

Church Balconies

The cathedral has three inner arches, with the main one over an inner dome with a white marble statue of Jesus Christ on the cross. On either side are chapels, four in all, and each very different from the others. There’s also a museum, though I spent my time this first visit wondering about the main area.

I didn’t take a tripod, but will my next visit. I also didn’t have strobe lighting, and as such had to use the camera flash or a fast (and grainy) ISO and large aperture. However, I’ve seen photographs of the Cathedral all lit up and it doesn’t do the Church justice. The magic of the place is the muted shadows of the simple, dark wooden pews, and the dark gray of the limestone and marble walls, offset by the color of the glass tiles–all around you, above you, high above you so that you stand staring up until you become dizzy with the effort.

(I have been reassured that if I wish to lay down on the ground to take photographs of the ceiling, I am more than welcome, and they’ll try not to step on me.)

The Resurrection Mosaic

The mosaics range from a very old Italian style created by Tiffany’s of New York, to very modern style. One section depicts scenes of the Church in St. Louis, including images representative of various Native American tribes in the area. The other sections of the cathedral portray traditional bible stories. Surrounding the scenes are geometric shapes, brilliant in color, filling in here and there: on podiums, around alters, and even on signs. Not gaudy though, because of the quiet neutral color of the stone and wood–little in the way of gold work, and that mainly in touches of gold leaf, or brass.

Mother Mary and Child

There are only two relatively colorful stained glass windows; in fact few windows at all. It’s not a dark place, though. The lighting is soothing rather than penetrating, and even that on the tiles is just enough to display the pattern without overwhelming.

It’s hard for me to say what was my favorite mosaic. Probably the more modern ones because of the unusual scenes and subtle coloring. There was one, though, in the lobby, that caught my interest. It showed Christ holding up his hands in a gesture of welcome, and surrounding him were the words:

I have fought a good fight. I have kept the faith.

mosaic of Jesus Christ

I rather liked the seal because its focus was on faith rather than religion; after all, keeping the faith extends beyond church, book, and priest.

I fight the good fight; I keep the faith. Sometimes that’s all I have in life, but I’m not religious. I like to believe that the rules, the dogma, the small and large intolerances come from religion; the acts of kindness and beauty, the serenity of place come from faith.

Slideshow of the photos

Categories
Photography

Picture This

Recovered from the Wayback Machine.

I haven’t been out indulging in my photography as much. Both my contract and book have (had) the same set of deadlines so there were few days I could do more than take a quick walk in the park.

Now, I’m in the last stages of the contract, and the editing phase of the book, but the weather has been terribly hot and humid. I hope, knock on wood, to have some nice days later this week. I wouldn’t mind a longer road trip and some time just to be away from the computer.

What photos I have taken I’ve scattered about my other domains, primarily as filler until I can get the sites’ look all pulled together. Since much of my writing lately is in the web page development, I am experimenting with Ajax/DHTML effects. Using such intensive levels of JavaScript means they can’t go live until absolutely checked out. While that occurs, a plain page with a couple of photos is better than an empty directory.

(You can see a little of this with the Dojo tools fisheye effect I’ve used at ScriptTeaser. I need to add an accessible alternative for non-JavaScript users, but I am really fond of Dojo tool’s fisheye effect. I’ll have more on this in ScriptTeaser when it goes live.)

As for the photos, I did visit Johnson Shut-Ins after it opened, and put together a show of some of the photos. Eventually, I’ll pull all the photos into a long, multipage story on the Shut-Ins at MissouriGreen, but you can see what a billion gallons of water can do to a mountain at a temporary photo gallery here. I talked with a park employee and she mentioned how ecstatic the geologists in the region are, because they normally can’t ’see’ the layers of rock that make up the Ozarks. The flood cut a path down the mountain to the bedrock, and managed to scatter an amazing variety of rock all over.

Back to photos. Eventually, most of them, as well as my ’softer’ writing—stories, reflections, and so on—will go on to The Book of Colors site I’ve longed to put together. First, though, I have to figure out a format for the site, and how best to display both photos and stores. This has not been easy, as I’m having the devil of a time with site design. I’m tired of the same old looks, the centered pages, the conservative colors.

As if you can’t tell with my cockeyed, off-center look and sharp, pure colors. I must warn you, I’m in a mood for color. Bold vivid color. Odd shapes. Contrast. Rule breaking. It may get a little intense at times. Maybe even a little disconcerting. Perhaps I’ll design a special set of ‘rain mist’ glasses for my good friends to wear when viewing the sites.

Categories
People Photography Weblogging

Lonely impulse

One of my favorite webloggers has been very quiet and I did my usual, which was go into the comments of his last post in preparation of putting in a comment about being quiet, missing him, that sort of thing. Another had already been there, and commented the same, but what stopped me was the response. The weblogger wrote back about getting inspired of this topic or that, but asking himself was he going to a pleasant and helpful person with his writing, and upon answering himself, marked the items as read and went about doing other things.

I thought about emailing the weblogger and telling him he’s missed, and he’s cherished, and we love all his bits no matter if they were “pleasant and helpful” or “acerbic” and even more helpful. But I decided, and this is the reason I don’t name him specifically, that he has to make his own decision about the value of his weblog to himself–I have no right as reader to scold him, as if he’s withheld a lolly by not writing to his weblog. As a reader, the only right I have is to read, or not.

Being a person who also feels friendship with the weblogger, I have even fewer rights. The only right we have is to feel friendship, express it, but we can’t demand a thing in return. We may think we’ve given a precious gift, and as such the other owes us something in return. They don’t owe us a damn thing, and that makes life interesting, challenging, and sometimes, disappointing.

The greatest leap of faith is not based on how we feel about God, all apologies to Kierkegaard. It’s how we feel about one another. Those who study yoga, who sit in silent contemplation of self for hours at a time–they may think they are discovering much about themselves, but what they are doing is creating a walled garden about themselves; building barriers against the binds and ties with others; these connections that we can’t control and that can go from gentle and fulfilling companionship to wild fury in an instance–like the mustang on harness, lipping sugar from our hands one moment, demanding freedom with sinewy strength and desperation the next.

I can empathize with my friend, the weblogger. I’ve felt the last few months that much of what I’m saying seems to be counter to something, or in disagreement with someone–verbally, I’ve been drop kicking the puppies, kittens, and bunnies in our midst. And why not? They raise their butts in the air, they taunt us, demanding kicks. And when I blaze forth in words, the site seems to come alive and sparkle and we’re all engaged and everything seems to click. Most importantly, no puppy, kitten, or bunny was truly harmed in the writing of the screed. When I kick the proffered butts, I send the puppy or kitten or bunny flying higher than it would reach, sitting on the ground looking harmless. And cute. And innocuous.

When the coin of the realm is attention, we all benefit.

Nothing changes, though. I have not built anything during that time. I have not created a great work of writing or art. I have not added to my book, or worked on that new RDF application I’ve had in mind. All I’ve done is fluff what was already fluffy, and polish the shiny parts.

But the attention feels so good! What, you think that for all my talk of disdaining attention I don’t like it? We all like it. Some of us even crave it–like that horse and the sugar. We crave the feeling of connectivity–I bet even the most popular of us counts comments, feeling them, fondling them like sugar cubes in their pockets. That’s an apt analogy, too, because the attention we get is the sugar that also keeps us acquiescent and tamed to the hand.

A fortune I found in a cookie yesterday read:

Your artistic talents win the approval and applause of others.

Emily Dickinson sat at her desk in her home for decades, writing poem after poem, which she would sew into little books and then place into a chest. She asked that they be burned on her death. We, of course, betrayed her to our own good. Most of us, however, write what could be safely burned with little loss. That is our purpose: we are Not Emily. The Emilies need us Not Emily. If we were all Emily there would be no Emily.

It wasn’t just her talent that set Emily apart from other poets. Emily’s writing is unique in that her words are written in a state of being that is absolutely adrift from any other human being. She had achieved a perfect dis-connectivity in her writing. There was no desire to please, or displease in her work; there was no reaching out; no attempt to initiate emotion in others. She was both creator and consumer–the play and the audience. Her writing just was.

Emily found the same state discovered by the Irish airman in my favorite William Butler Yeats poem, An Irish Airman Forsees His Death: she had found her lonely impulse of delight.

I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.

Should my friend return to weblogging? Well that’s a decision he’ll have to make for himself and one with which we have no influence. I won’t lure him, though, into returning, with hints of attention and promises of continued readership and expressions of kinship. He knows I like his writing, but that may not always be. He knows I like and respect him, but people change and life goes on.