Categories
Just Shelley

Fat Tuesday became flat Tuesday

I had planned on attending the St. Louis Mardi Gras parade and celebration downtown tonight, but decided against it this afternoon. My ankle and foot are still bruised after the fall a long time ago, which is annoying, and I’m not feeling up to the crowds tonight.

I don’t regret missing out on the drunks, the fights, and the girls lifting their shirts at the drop of a shiny bead. I do regret, though, a little, not seeing the floats, being amidst people having a good time, hearing what will probably be great music, and getting some interesting photographs. Mardi Gras–and the St. Louis Mardi Gras is the second largest in the country– is the type of event photographers want — people in costume throwing off their inhibitions, at night, with nice fast, grainy black and white film. But ’shoulds’ as a photographer have about as much appeal to me as ’shoulds’ as a writer. I’m a hopeless case.

Besides, I can see myself downtown, walking alone back to my car in the dark parking area wearing a couple of thousand dollars worth of camera equipment.

I did get a King Cake though, the traditional Mardi Gras pastry. It’s not bad except for all that colored sugar being a bit crunchy. My roommate got the baby and the coin, and I got the necklace. I have absolutely no idea what this means.

And tomorrow, Emily Dickinson.

kingcake2.jpg

 

Shelley

Categories
Weblogging Writing

Listening to you

Recovered from the Wayback Machine.

I’m not sure what happened. I was writing about a personal revelation I had and then somehow the writing became filtered and morphed until some people see echo chambers and other people – too many other people – see it as an attack against an established (pick one: elitist/egalitarian) person/group.

At first I thought the original problem was the example I used, but no, from many of the comments left with my writing, I could see that people were understanding what I said. But then somewhere along the way, the tone changed and each person came along and picked out the pertinent bits and tossed the rest away.

(Tell me, if you’re served a stew at a friends house, would you dig out the beef and toss the potatoes on the floor?)

I thought, well maybe it’s my writing. Maybe my writing really isn’t that great, or I am not making my points effectively. Where before I was talking about a personal revelation– that whole writer/community member thing– perhaps people were reading attack. I made an error in my writing by somehow putting to much focus on the incident rather than my own personal ruminations.

But then there was this little tidbit, left by Dave Rogers:

Now, an interesting question would be to wonder if Don Park would have offered his comment, which he subsequently withdrew because he felt it would distract from another message he wished to convey, if he hadn’t perceived that Marc had pulled the invitation? And, if he had not, would Shelley have offered this essay?

As to the first question, my guess is probably not. As to the second, my guess is Shelley probably would have addressed the issues in this essay at a later time in response to a different event, similar in kind to this one.

Bang on, Dave. The incident was nothing more than an impetus to write something on my mind. What I didn’t realize at the time, though, was the absolute and complete damaging effect mentioning certain names would have on the preception of what I wrote.

This has left me frustrated, not because I care that much whether people or agree with me or not; but because I’m left feeling that people didn’t even bother to read what I had to say. They saw “Danah”, “Joi”, “Cory”, and “Marc” and that was the end of the story for them.

Now this morning, somehow what I wrote about has become mutated even further to not only an attack on Joi Ito and his group, but conferences as well. This has not pleased me. No siree, not pleased me at all.

It was in a bitchy frame of mind that I wondered over to Dave Rogers weblog this morning to read what Dave had to say. I found:

I’ve been sort of participating in a discussion over at Shelley’s Burningbird Weblog and Grill about community, one of my favorite topics. I say “sort of” participating, because mostly the things I write just seem to vanish into the ether. I did get a nice comment from Stavros the Wonder Chicken, and Shelley even quoted large sections of my comments. But nobody ever bothers to stop and tell me I’m full of shit, which would at least suggest somebody read what I wrote.

Anyway, it doesn’t really matter.

But it does matter, Dave. Especially when you gave me a pretty good idea of why I got hit by a 2 x 4 last night:

Anyway, I’m starting to get all pedantic again. Most of the discussions about “echo chambers” and “group-think” and “community” are carried on within a very narrow set of beliefs which have been cherry-picked to make us feel as good about ourselves as possible, even if they don’t adequately describe the phenomenon they’re trying to address. As long as we can feel “good,” whether that’s advocating for “emergent democracy” or “smart mobs;” or railing against sexism, elitism, or whatever other “-ism” that has provoked a response, then we’re not going to be inclined to look much further into our own behavior, our own beliefs, our own reasoning. It is superfluous to the goal of maintaining an interior state of homeostasis – usually a feeling which can be described as “good” if only by noting its absence as in “I don’t feel comfortable with…” Or, “I’m offended by…” Which is ultimately why we do the things we do: Because it feels “good.” For the most part it works. But at the edges, it doesn’t, and more and more we’re finding ourselves living at the edge. And woe be unto he or she who challenges what makes us feel “good.” They will be made to feel “bad!”

Jeneane wrote a post this morning on this whole thing, but one sentence stood out because it was all in caps:

DO YOU HEAR ME?

Fuckin’ A, I do. Especially since that was the phrase echoing through my own mind as I tried to work through my frustrations today without a) deleting every last page of this weblog; or b) declaring war on Joi Ito, purely as a desperate declaration of independence; not because I have anything against Joi, but because I’ve been slapped with a brush and painted as such.

Excuse me, but you always write ‘red’.

I do not always write, ‘red’.

Yes you do. You’re dripping with ‘red’.

But that’s not me, that’s how I’m painted. I was painted ‘red’.

You’re just making excuses.

No! No! I’m actually more ‘blue’ than ‘red’.

Sure.

No! Really!

Then why are you dripping ‘red’?

I forgot to duck.

This whole thing reminded me so much of that song from the rock opera, Tommy. Remember the one? Sure you do:

See me.
Feel me.
Touch me.
Heal me.

Listening to you,
I get the music.
Gazing at you,
I get the heat.
Following you,
I climb the mountains.
I get excitement at your feet.

Right behind you,
I see the millions.
On you,
I see the glory.

From you,
I get opinions.
From you,
I get the story.

(Lovely version of Listening to you from Michael Cerveris web site)

Looking at these words one way, you see a lone figure demanding to be seen, to be heard.. But, looked at another way, you see a crowd, about to run over and crush the object of their affection. I love the conflict behind this song.

Listening to you, I hear the music.
Gazing at you, I get the heat.

Following you, I climb the mountains.
I get excitement at your feet.

Right behind you,
I see the millions.

          On you,
I see the glory.

From you,
I get opinions.

From you,
I get the story.

The mistake I made was not in my writing, or using certain peoples’ names or a specific incident as an example; it was to give into the sucking vortex that happened afterwards. People will read what they want to read and if they want to read ugliness into the words, that’s their head, that’s their problem. But once I snapped at the bait, then it became my problem.

It started with being a writer or being a community member, and it returns to wence it came. Or as BlogJazz wrote:

I get to do that here. Without benefit or restriction of audience. There are power-elites in every plane I move. I can’t be touched. I don’t register on their radar. While their gravity influences me, I am fully-powered and able to make my own path. I can’t be cast off since I wandered away long ago.

I’m not joining any battle, or any war, or even paying attention to any more of the bullshit. The reason for this post is to point out the words that Dave wrote and that Jeneane wrote and that BlogJazz wrote, and suggest that you go read them.

See them.

Hear them.

(…and did someone volunteer to have me re-design their weblog?)

Update

And geez, I almost forgot the Wonder chicken. You know if you don’t go see and hear him, he molts all over the server. It’s a mess.

Categories
Web Writing

A True Title

I am enjoying the comments and suggestions about the book title in the last post, and have directed my editor to have a look. In the meantime, for a bit of fun, I’ve come up with several titles that I’d really like to use for the book:

Internet for people who have been screwed online and are now out for revenge.

Internet for those who invested in the dot-com bubble a few years back, and now want to know why they’re holding worthless pieces of paper.

Internet for those with money…what did you say your name and email address was again?

Internet for people who have a more intimate relationship with an email spammer then their own significant other because they at least get the spammer’s email through all the filters.

Internet for people who are scared by their kids knowledge of the Internet.

Internet for people who are scared by their kids knowledge about sex they gained on the Internet.

Internet for those who want to talk about work online.

Internet for those who are looking for a new job online.

Internet for those seeking a warm, caring relationship online, but will settle for a quick roll in the hay. Or picture of same.

Internet for the paranoid and…wait! Wait! What was that?

Internet for the remaining Howard Dean supporters…all two of you.

Internet for Mom, Dad, and don’t tell them about my weblog.

Internet for the censored, spied on, and imprisoned, because the truth will not always set you free.

Internet for the pundits, because you will inherit the Web.

Internet for the meek, because you will inherit the bill.

Internet for people who will not stop clicking on email attachments and whose machines are now a festering bed of evil, with monitors levitating above the desk, and spinning in circles.

Categories
Writing

Best laid plans

…of mice and writers.

Unfortunately I had to cancel my trip, as much as I really wanted to go on it.

Frankly, my book is in a bit of trouble right now, and we, the publisher and myself, are trying to work through the rough spots. It is an unusual book, with an odd name and the publisher is concerned about marketing aspects of the book. Rightfully so – putting a book out on the street is very expensive, and if you don’t sell a set number of copies, you can lose a lot a money.

Welcome to the book biz. For those who think that all there is to a book is selling the original idea, signing a contract, and then writing the book – think on. It’s a difficult, wearing task from start to finish. For everyone.

With this uncertainty, though, I can’t afford to spend the extra money on this trip, even with staying at cheap hotels. I haven’t told my roommate yet, and I so hate to disappoint him.

Come to think of it, I’m not too happy about this myself, either.

But, the sun is shining in Missouri, and the ground may actually be thawed enough for me to get out and do some walking. I guess I can make myself scarce during the day, and we can just pretend I’m not home.

Categories
Writing

I’m being very auctorial

Teresa Nielsen Hayden, has posted two wonderful essays this month, and I’m late pointing out one, so I’ll use the opportunity of the second to point out both.

The first is Slushkiller about the writing industry and rejection. There is so much I can identify with in it that it’s difficult pull out quotes, but I had a couple of favorites. The first is:

What these guys have failed to understand about rejection is that it isn�t personal. If you�re a writer, you�re more or less constitutionally incapable of understanding that last sentence, if you think there�s any chance that it applies to you and your book; so please just imagine that I�m talking about rejections that happen to all those other writers who aren�t you.

Anyway, as I was saying, it realio trulio honestly isn�t about you the writer per se. If you got rejected, it wasn�t because we think you�re an inadequate human being. We just don�t want to buy your book. To tell you the truth, chances are we didn�t even register your existence as a unique and individual human being. You know your heart and soul are stapled to that manuscript, but what we see are the words on the paper. And that�s as it should be, because when readers buy our books, the words on the paper are what they get.

I’m now at work on my 15th book and I still don’t know how to accept rejection in my weblog, much less my professional writing. The result is I have found a niche where I rarely get rejected, and I’ve become afraid to go outside that niche. I have been accepted in the technical writing genre; I stayed within the technical writing genre. More than that, I stayed with a fairly traditional type of technical writing.

It’s only recently that I’ve started sending work and ideas outside of my comfort zone to entirely new publishers. Consequently, I’ve had several rejections, but I’ve also had one acceptance. The acceptance is for a book that’s technically, well, technical still, but unlike any other of its kind ( and it took two months to sell that puppy to the publisher). It’s a start.

As for the other writing, one of the my more proud moments recently was getting a rejection from a publisher who said my book proposal had actually made it to the marketing meeting before they rejected the idea for being too far outside their normal genre.

I was tickled pink.

I like to think of rejections as professional, and acceptances as personal. But then I’m working on my 15th book and I can afford to be magnanimous to the editors who reject my work. Every last worm of them.

The second quote I particularly liked with Teresa’s Slushkiller post is:

The writer has mistaken didactic, wordy, and lengthy for condemnations, when in fact they�re descriptions. The editor�s telling her how the manuscript needs to change if it�s going to have a chance of selling in the picture-book market. It�s good, simple, useful advice: keep the story, pare down the didacticism, and lose a whole lot of words along the way. On the other hand, if all you want are affirmations, go to an AA meeting.

Number one rule to successful writing, and one I’m still learning: less is more.

That takes care of the overdue commentary. On to the new:

Today Teresa wrote that a third edition of her book, Making Book, was being released. Unfortunately, the press accidentally shot the third edition from the wrong copy, using one that had several typos and errors. She wrote:

I was at work when I first got wind of this. I don�t know what I looked like for a while there, but people kept stopping in my doorway to ask if I were all right. �I�m being very auctorial,� I told them; meaning, approximately, I am in shock, and I observe that at the moment I have zero sense of perspective about this, and This hurts like hell. In short: I�m taking this like an author. I couldn�t think of any other way to say it. Fortunately, they understood what I meant.

Oh, yes. I understand. Yes, indeedy. Bang on, scratched the itch that is. I just didn’t know there was a word for it. Now I know what I can use whenever someone asks me what’s wrong when I spot an oops or gotcha or get a bad review of any of my books:

I am being very auctorial.