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Media

Amazing what you can find online

Recovered from the Wayback Machine.

Dave Winer mentions a contribution he made to Boston’s NPR affiliate, WBUR. He’s curious, though, about the salaries of the folks, such as the general Manager Jane Christo’s pay:

How do I call in and ask questions on the air? How much salary does Ms Christo draw? How many execs are there at WBUR and what are their salaries? And how about the talent, how much of my money do they get? I suspect that public radio in the US is like most other industries, execs control the money, and get most of it, and don’t do very much for it.

A quick google search on “wbur” and “salaries” brings up a reference to Dave’s friend, Christopher Lydon, as luck would have it. It seems that when Lydon worked at the station, he was the highest paid talent, at 230,000. And he wanted more:

I like ‘’The Connection,’’ but I was stunned by the size of Lydon’s salary and the fact that he and his producer still weren’t satisfied; they wanted an ownership stake in the show. When Lydon and his cohorts at WBUR ask listeners like me to support the news, I knew salaries were an integral part of the news, but I had no idea they were such a large part.

The article also makes a good point about how we view charities differently from other types of business:

Kate Berseth, who has done fund-raising and fund-raising consulting for more than 10 years, said donors tend to overreact to high salaries. All too often, she said, donors harbor the incorrect assumption that ‘’do-gooder charitable work’’ isn’t worth as much as for-profit work.

Lots of online links about WBUR and salaries, and Lydon no longer being at WBUR. Rather than Dave calling the station and demanding that the station discuss what Jane Christo makes online, perhaps he should ask his friend, Lydon, what she was making when she fired him?

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Media People

We just hate being contacted

The discussion about copyright, generally, and Creative Commons, specifically is continuing elsewhere, and I’m extremely pleased to see others speak out with their concerns, opinions, and questions.

In particular, I loved what Phil Ringnalda wrote today:

What strikes me as uproariously funny about the rush to CC license weblogs, though, is that probably the most useful feature of licensing something that you don’t mind having people use is the way that they don’t have to ask your permission before they use it. And you know how we all hate having people contact us, with our dozens of comment links and TrackBack URLS and semi-obfuscated email addresses and we-hope-it’s-spam-proof contact forms. I can’t think of anything more horrifying to a weblogger than to have someone contact them out of the blue and say “I liked something you did so well that I would like to use it myself, may I?” Why, I myself have twice had people ask if they could borrow a couple of sentences I wrote, and both times I found it a horrible imposition to have to reply, since I was entirely too busy dancing around the room shouting “someone actually asked to use those two sentences.

At this stage in the Practical RDF book, I needed the laugh this gave me. More importantly though, is that Phil made some excellent points in this posting and in the next one he wrote, where he commented on the confusing and conflicting copyright notices currently on Donna Wentworth’s Corante weblog, Copyfight.

It’s interesting but in regards to this issue, each of seems to have a different focus. Jonathon’s focus in his last posting related to this topic was about his proprietary view of his creative works. AKMA’s is on the length of copyright terms; while my focus, at this time, (and it looks as if Phil’s focus is the same as mine) tends to be on Creative Commons and my concern about people not fully understanding what this means to ‘give away’ what you write in your weblog.

It’s true that no one is forcing any of us to waive all or part of our copyright. But it does seem as if there is a great rush to plunk that CC graphic on one’s weblog, without a clear understanding of the effect of doing so. Unfortunately, there’s been less discussion about the negative impacts of a CC license than there are the glorious positive impacts. This is going to bite some weblogger in the butt someday.

For instance, did you know that you can copy a weblog that’s been donated to the public domain in its entirety, including look and feel, and all content, without having to give attribution? And that you can even charge for this writing?

Quick! Guess who wrote the following:

Bin Laden’s genius is inventing a new form of chess, one where countries are not sides in the contest but squares on the board. As in the game of chess, one must be willing to make unexpected sacrifices, and to know the opponent’s possible moves at least as well as you know your own. As for the rest of the rules, we can only guess. Obviously Muslim countries are all over the board, with Saudi Arabia, home of Mecca, at the center.

It is also obvious that bin Laden knows how to play our side at least as well as he plays his own. Why else would his pawns have been able to hijack four large passenger aircraft in one day and turn them into enormous missle bombs against American landmarks — all with horrifying efficiency?

It is finally safe to assume that right now he has a good idea what we’ll do next. And even if he doesn’t know what his side will do, he does know we won’t expect it.

So: if we kill him, will we have checkmate? Or will his side merely have sacrificed its queen?

Perhaps it will help if we give this game a more appropriate and realistic name — one closer to what bin Laden has in mind.

Let’s call it World War III.

To all intents and purposes, I don’t have to tell you who wrote this. So I won’t. Guess.

Legally I can put this into my weblog, take credit for the words by not attributing the words to another, plunk my own copyright on it, and I can freeze the use of these words where the original author can’t. All I have to do is change a few of the words, just enough to make it a derivation of the original, and therefore an ‘original’ creative work by me.

Is this legal? How do I know, I’m not a lawyer, but we’re being asked to assume some of the responsibilities of being lawyers in order to understand the impacts of the Creative Commons licenses on our weblogs, and other creative works.

Now you tell me that this isn’t a concept and a license and a movement that doesn’t have potential problems. And if you don’t see it then you go right ahead, put that weblog of yours into the public domain. And if you do, then can you send me a link to your weblog? I might need material for my own weblog in the future.

Archived with comments at the Wayback Machine

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Media

Savage beast spoken here

Recovered from the Wayback Machine.

My back felt better today, though my headache remains, so I decided to get away from the computer and do a little shopping—music shopping. I couldn’t find the CD I was looking for, so I splurged on Dave Matthews new CD Busted Stuff. While I was at the register I noticed a group of sale CDs, so Dave was joined by a Nat King Cole’s greatest hits and a 2 CD compilation of Tony Bennett songs.

Out in the car I unwrapped the jewel boxes and added my purchases to the existing selection, which included Coldplay’s Parachute, Bon Jovi’s Cross Road, and the sound track from the movie, General’s Daughter.

A question: am I the only person who has trouble removing the wrappers and all the little seals and stickers from a jewel box? The seals have the words “peel here”, but then you have to scrape the label up at that spot and when you start to pull it, it rips lose from the rest. And just when you think you have all of it removed, you go to open the box only to find it’s sealed in yet another spot.

Regardless of the joys of CD packaging, after I finally loaded the music into the player, I grabbed an ice coffee and went down to my favorite river park for a little quiet time. I sat in the car, windows open, watching the river lazily flow past, listening to the mellow, wonderful tones of Nat King Cole as he sang out “Mona Lisa”, “Route 66”, and the unforgettable “Unforgettable”. That man’s voice was pure creamery butter and whiskey and the best coffee and sweet maple syrup all rolled up into one rich, listening experience.

One very, very fine moment.

I got into a conversation earlier this week with a friend about music, comparing who we like, don’t like. I mentioned I liked the old Beatles but he prefers the Rolling Stones, thinks they have more character. I like the Stones, too, but those boys are beginning to scare me. Well, Keith Richards has always scared me, but Mick is becoming better preserved than Dick Clark, and Dick Clark is kind of spooky.

I love most kinds of music including Verdi opera, Spanish guitar, David Bowie, classical piano, Beach Boys, new McCartney, U2, 40’s music, Madonna, AC/DC, Celtic, country, Alanis Morrisette, Rush, Eminem, Lifehouse, and on and on. About the only type of music I don’t like is cheap Pop (Spice Girls and Backstreet Boys come to mind), Disco (that’s because I’m writing this in public, in private I can still get down and boogie, baby), and the music group America.

I hate America. That’s unfortunate too, because by not liking this group I have put into writing the words “I hate America”. But I’m sorry, I can’t stand this group.

Oh, I’ve been in the desert on a horse with no name
it felt good to be out of the rain
In the desert you can remember your name
cuz there ain’t no one for to give you no pain.
La la la la la….

Pickled tripe. Pure pickled tripe. It’s music like this that led to George Bush being elected president. And the insiduous thing about America is that once you’ve heard tunes such as the dismortal “Horse with no Name”, you can’t get the bugger out of your head.

I really hate America.

But I love music. Especially music from my favorite songbird next door, Shannon Campbell, whose song Blind I ripped from her site for your, and my, enjoyment.

Shannon, nightingale, sister. Pure nightingale.

Categories
Media

Laura Croft: Tomb Raiders

‘m trying out Blogger Pro functionality for review purposes, so expect things to come and go (Yes, I am still doing MT, but review first, play later).

Actually very nice tool! It might not have all the bells and whistles, but what it does have is very attractive. The ability to draft a posting, and then repost it and have the same comments attached is incredible!

10:29pm

After the first 1/2 hour all I can say is, this (Laura Croft:Tomb Raider) will improve, won’t it? The rest of the movie isn’t this bad, is it?

Update Bad. Really bad. After an hour I finally shut it off. How did Angelina Jolie get herself into this tripe?

The War Bus was better, and in that movie, some of the “dead” extras got up and ran during one of the scenes when the fire got too close — and the camera kept rolling. < edit />

10:25pm

After concerned emails from friends of the Bird (?), I decided I needed to lighten up. Do you know how I’m going to do this, hmmm?

I’m going to watch that horrible, trashy, overplayed, and oversexed movie “Laura Croft: Tomb Raiders”. This is another movie I haven’t seen and decided to try.

Woman kicking butt. What’s not to like?

10:08pm

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Media

Chocolat

Recovered from the Wayback Machine.

I’m probably the last person in the world, well at least among the movie goers, but I finally saw Chocolat tonight.

Gently, funny, romantic, melancholy, quirky. I like movies that leave me with a smile on my face at the end. Not a grin. Just a smile.

Maybe I should paint my weblog chocolate. Call myself SweetBird.

Nah.