Categories
Writing

Time-lapsed memories

Sitting here, listening to a freshly downloaded Trans-Siberian Orchestra Christmas album, I’m reminded of when we lived on Grand Isle in Vermont.

We lived in a rented house with a view of the lake from the living room, and the main road and hills from the large country kitchen in the front. You had to turn down into our drive, which made leaving a bit difficult at times during adverse weather. To the side of our drive way was a big red barn. In front of that, in the field all by itself, was a beautifully shaped evergreen in perfect Christmas tree form.

That first winter, snow began to fall before Halloween and never left once it took hold. The lake started freezing all around the shoreline, and ice filled in the small bay in front of our house. Along the access way to the mainland, we could see tentative tracks in the snow near the water as fisherman tested the ice anxiously, checking for that magic time when they could put up their ice fishing shacks.

As Thanksgiving came and went, the snow grew higher–brilliant white, powdered crystals that drifted around the house and along the side of the road. The crews kept the roads remarkably clear, and we could see from our ‘mud room’ the cars zipping down the hill, as it curved around the field where our house lay.

We had feeders in the big, gnarly old apple tree in front, which were appreciated by cardinal and chipmunk alike. The chipmunks were especially funny, because they would stuff their mouths so full of nuts that their eyes were almost forced shut.

On Thanksgiving day, two busy beavers took time off from easting roasted turkey and fresh baked pumpkin pie, in order to create our own special Christmas scene. That night, we flipped the switches, and on came the lights surrounding our house, the red barn, the bushes in front, and especially that evergreen tree–now splendidly lit in its proud isolation in the snow covered field.

Not elegant white lights, no. These were a child’s delight of color. Rich reds, greens, blues, and sparkling yellows and oranges chased themselves around the eaves and danced in their own reflection in the snow and around the icicles hanging down from house and barn.

We stood out on the porch looking at the lit tree, sipping hot spiced cider and enjoying the results of our work when we heard a car coming down and around the hill facing toward the tree. Muffled against the snow was the sound of racing engine almost stalling as whoever was driving took their foot off the gas. What must they have seen? A house covered in lights, and in what was once a dark, formless nighttime field, a perfect tree, glowing with color?

From that night on until New Years, cars would slow coming down the hill, sometimes even pulling over to the side to stop to look at a tableau of moonlight streaking across a frozen lake, fronting a snow softened valley and field filled with home, barn, and tree, sparkling in color.

Christmas morning dawned with sun shining brilliantly on the snow and ice, glowing richly against the red of the barn, the green of evergreen brush and trees; blue sky forming a backdrop for lake and field. Snow had come and gone since the lights had been added and covered the tracks and electrical line to the tree, leaving a field unmarked by human.

I was at the window looking out at the field, drinking a cup of coffee, when I noticed movement to the left. Out from the brush and trees separating us from our neighbors came a red fox. We watched as it stopped for a moment, seemingly also enjoying the view. It then took off across the field; hopping rather than running, as it would sink into snow that almost covered its head with each jump.

The fox hopped to the Christmas tree and stopped once more, looking closely into its depths. Perhaps it wondered what strange stuff was wrapped around the familiar old tree. Maybe it heard the rustle of bird or small creature. The red of its fur was brightened by the sun, saturated against the dark green of the tree. A breeze blew a wisp of powdered snow from the tree down on the fox, and it raised its nose into the air and sniffed at the stream of glitter flowing past. Catching the scent of rabbit or den, it once again began making its slow, hopping away across the field and out of sight.

Categories
Books

Nick Carr’s The Big Switch

Not long ago Nicholas Carr posted a note on his weblog: the first 150 webloggers who left a note would receive an advance copy of his new book, The Big Switch: Rewiring the World, From Edison to Google. I received mine last week, and just finished reading it today.

If you expect to pick up a book like The Big Switch, and feel fired up and inspired, think again. The same goes if you expect to come away feeling pessimistic or gloomy about our prospects for the future. Carr somehow manages to celebrate a new way of global computing at the same time reminding us that such will probably add to the continuing decline in privacy, not to mention erosion of barriers between man and machine. It is both history lesson and prophesy: looking at what we can expect in the future by examining what happened in the past. It is not meant to stop our progress, but slow us down before we fall off a cliff in our blind enthusiastic race for the Next Best Thing.

The central thesis is technology’s impact on society, describing both the intentional and unintentional effects. Equal parts anecdote and thoughtful analysis, Carr takes the reader from the industrial revolution, to the wonders of electricity, Ford’s assembly lines, and even into the home. He focuses mainly, though, on the history of computing devices, from earliest machines to today’s cloud-based ‘utility’ computing, which will, eventually banish the traditional client-server computing model in favor of some vast network of utility servers networked via fast and cheap broadband access.

Today, it’s hard to imagine computer owners in the United States and other developed countries abandoning their PCs for thin clients. Many of us, after all, have dozens or even hundreds of gigabytes of data on our personal hard drives, including hefty music and video files. But once utility services mature, the idea of getting rid of your PC will become much more attractive. At that point, each of us will have access to virtually unlimited online storage as well as a rich array of software services. We’ll also be tapping into the Net through many different devices, from mobile phones to televisions, and we’ll want to have all of them share our data and applications. Having our files and sofware locked into our PC’s hard drives will be an unnecessary nuisance. Companies like Google and Yahoo will likely be eager to supply us with all-purpose utility services, possibly including thin-client devices, for free–in return for the privilege of showing us advertisements. We may find, twenty or so years from now, that the personal computer has become a museum piece, a reminder of a curious time when all of us are forced to be amateur computer technicians.

At the same time that Carr lays out this new global data hive, he also reminds us of the costs associated with all this nifty, cool, technological innovation. He recounts stories of Yahoo’s interaction with China; the continuing concerns about Google and it’s lack of transparency regarding privacy; and corporate profiting from the so-called ‘crowdsourcing’ that takes advantage of unpaid labor to fuel much of this new internet-based ‘boom’.

As for the brave new world of the future, where barriers fall, and all races, religions, and peoples mix into the great utopian society all thinkers in the past have always proposed was just around the corner, Carr sees a possible darker outcome.

Not only will the process of polarization tend to play out in virtual communities in the same way it does in neighborhoods, but it seems likely to proceed much more quickly online. In the real world, with its mortgages and schools and jobs, the mechanical forces of segregation move slowly. There are brakes on the speed with which we pull up stakes and move to a new house. Internet communities have no such constraints. Making a community-defining decision is as simple as clicking a link. Every time we subscribe to a blog, add a friend to our social network, categorize an email message as spam, or even choose a site from a list of search results, we are making a decision that defines, in a small way, whom we associate with and what information we pay attention to. Given the presence of even a slight bias to be connected with people similar to ourselves–ones who share, say, our political views or our cultural preferences–we would, like Schelling’s hypothetical homeowners, end up in ever more polarized and homogeneous communities. We would click our way to a fractured society.

In many ways, Carr’s hypothesis of a ‘fractured society’ is born out in his own writing. As I read, I was impressed with both the quality of writing, and the depth of the research. However, I also experienced a sense of alienation as I progressed–a feeling that this book was written by one member of a group for other people within that group and that I was, more or less, an intruder being allowed a glimpse into a world not necessarily denied entry, but not allowed until I figured out the secret handshake.

I’ve been criticized in the past for bringing the ‘woman issue’ into supposedly unrelated topics, and most likely will be chastised again, but I came away from Carr’s book feeling like the book was written for an audience composed of people like Carr: white, upper class, well educated (or well read), affluent or semi-affluent, wired Euro-Oceanic-American men. The one time when a more feminine perspective on the coming new revolution in computing was addressed focused on the impact of electrical appliances in the home earlier in the last century. Rather than free women up to pursue other interests, Carr writes, what happened is that as more time was freed up, standards of cleanliness increased, until women were finding that we were spending the same amount of time on these household chores, regardless of helpful devices. More significantly, our measure of worth became intertwined with these tasks–an unfortunate artifact that still exists today. With women’s increasing identification with homework as a measure of worth, we became isolated from each other, as tasks that used to be completed together, in cooperation, were transformed by machines into tasks that drove us into competition–who has the cleanest house, best apple pie, and so on. From competition is a short step to isolation.

The psychic price of the new tools and the new roles they engendered was sometimes high, however. Women labored under escalating pressures: to meet the higher expectations for cleanliness and order, to purchase the latest “must have” appliance, to learn how to operate all of the new machines and keep them in working order. And, for many, electrification brought a new sense of alienation and loneliness into the house. As women took over the work required to keep house, they often found themselves spending more of their time alone, isolated in their suburban residences. They may have had their young children to keep them company, but adult companionship was usually rarer than it had been in the past when homemaking was more of a communal activity.

I expected this theme to be carried through into other discussions in the books, especially considering the ‘isolation’ of women in an environment where, supposedly, we constitute half the audience. However, we were dropped after this one section. It was both confusing and a little frustrating, and added an ironic element to the book, especially when you read Nick’s coverage of Google’s ‘personalized’ search efforts.

By filtering out “the detritus” and delivering only “the good stuff” they allow us to combine fragments of unbundled information into new bundles, tailor-made for audiences of one. They impose homogeneity on the Internet’s wild heterogeneity. As the tools and algorithms become more sophisticated and our online profiles more refined, the Internet will act increasingly as an incredibly sensitive feedback loop, constantly playing back to us, in amplified form, our existing preferences.

The increasing filtering of the ‘detritus’, as Carr so eloquently puts it, is born out in a recent discussion via email with Techmeme’s Gabe Rivera where, in a fit of pique, Rivera wrote:

You know, if a gender-neutral (i.e. gender-rigged) version of Techmeme were possible and prudent (most women I’ve talked to feel otherwise) I bet it would still link very infrequently to your blogs.

a gender-neutral (i.e. gender-rigged) version of Techmeme…

It is the insularity of Carr’s viewpoint, reflected strongly in his coverage of the topics that tempers my view of his predictions regarding the direction, and impact, of future happenings in regards to utility computing and the internet. I came away with a feeling that Carr may yet be surprised at what the future brings.

My only other quibble with the book reflects somewhat the same concerns I had with David Weinberger’s Everything is Miscellaneous: the coverage of the topics could have been more comprehensive if the books weren’t so small. I think, though, this reflects humanity’s growing inability to focus more than a certain period of time on a topic. If both Carr and Weinberger had created larger books, their audiences would have been, conversely, smaller. Carr touches on this, himself, in one of his last chapters, on a merge of man and machine through the use of AI.

The printed page, the dominant information medium of the past 500 years, molded our thinking through, as Neil Postman has written, “its emphasis on logic, sequence, history, exposition, objectivity, detachment, and discipline.” The emphasis of the Internet, our new universal medium, is altogether different. It stressed immediacy, simultaneity, contingency, subjectivity, disposability, and, above all, speed. The Net provides no incentive to stop and think deeply about anything, to construct in our memory that “dense respository” of knowledge that Foreman cherishes. It’s easier, as Kelly says, “to Google something a second or third time rather than remember it ourselves.” On the Internet, we seem impelled to glide across the slick surface of the data, as we make our rushed passage from link to link.

Perhaps Doris Lessing was right, after all. Perhaps, not.

Neither Carr’s filtered viewpoint nor the brevity of the coverage of some topics adversely impacts my appreciation of his excellent writing, and fascinating mix of historical perspective and future view. I can recommend The Big Switch: Rewiring the World, From Edison to Google. Buy it as a gift for the A-list “everything is bright, everything is beautiful, the Semantic Web 2.0 rocks” pundit in your life. Oh, and make sure they actually read it.

Categories
Books Writing

Moving On

As much as I would like to continue writing about standards and networks, ‘open’ or otherwise, out here in the weblogging wasteland (Hark! Was that a cricket I heard?) I have to return to the book writing.

I debated whether to include a link to the Gallery album I set up for the figures and illustrations for the new book, as well as a link to the ongoing example development. On the one hand, you might be interested in following the progress, or trying out the examples (sans accompanying text). On the other hand, you won’t be interested, which means posting a link or not is moot.

Book figures

Book Examples

The figures will undergo cleanup and adjustment over time. I’ll probably be replacing some. I thought the links might be interesting for those of you who are curious about books ‘on the hoof’.

I also use my del.icio.us account to link to resource and reference sites and am building up a nice library of web graphics links. Well, in and among the political, climate, and diversity links.

Offline until I’m finished. Ta.

Categories
Books

Writing hacks: desist

The book progresses, but not quickly enough. I’ll have to reach to meet my deadline. My biggest challenge from a time perspective is trying to find relatively fresh, fun ways of looking at topics, which have been discussed to death online and in other books. Especially since I’m not known to be either a great photographer or graphics artist.

No, this isn’t fishing for compliments, or reassurances. I have no wish to be a great photographer or a great graphics artist. I enjoy the world of web graphics because, unlike my programming, I’m not dependent on any of it for a living. I’m free to try new things, to tinker around on my own, and just generally have a lot of fun. That’s actually the whole point of the book: having fun.

We don’t seem to have fun with our use of web graphics, and I include photography in this. We’re all too damn earnest. We’re passionate about everything we do, and there’s few things that will destroy fun and a sense of personal exploration more than being both earnest and passionate. I’m rather hoping my book will stand out because it is neither earnest nor passionate on the topic of web graphics.

Oh my, I sound like Jeff Atwood and his don’t buy my book refrain, don’t I?

In his latest, Atwood–after having gone through one book writing process and looking back on the whole thing like the wise old gray beard that he is–writes how tech books are nothing more than dead trees. Don’t buy them, don’t write them, he exclaims.

I particularly liked the part where he states how anyone can be an author:

Even if books make no financial sense, perhaps the ancillary benefits can make the effort worthwhile. I won’t lie: you’ll get a little thrill the first time you ego-search Amazon and see your book in the results. There is a certain prestige factor associated with being published; people are impressed by authors. To me, these are ultimately empty accolades. Anybody can write a book. The bar to publishing a book is nonexistent; with sufficient desire, any would-be author can get published. Just because you’ve published doesn’t mean your book is worth reading. It doesn’t mean your book matters. It just means your book exists. Far from being impressive, that’s barely meaningful at all.

Just to be sure that he hasn’t convinced you enough that all book writers are hacks Atwood re-emphasizes:

In short, do not write a book. You’ll put in mountains of effort for precious little reward, tangible or intangible. In the end, all you will have to show for it is an out-of-print dead tree tombstone. The only people who will be impressed by that are the clueless and the irrelevant.

There is some truth in what Atwood writes. A lot of books don’t earn out their advances in order to get post-publication royalties. Unless you’re one of the few to have a huge best seller in the tech business, you’re not going to make any serious money; you’re barely going to break even with the hourly rate paid babysitters.

Some truth, too, with Atwood’s note about people no longer being impressed with book authors. Too many of us weblog–the old saw about familiarity breeding puppies, or some such thing. He even goes so far as to ensure you’re careful not to exhibit any respect for book authors by stating that those pitiful few who might give respect to authors are both irrelevant and clueless.

Marketing’s the thing, now. Marketing and attention. Don’t have to take my word for it: look at that the so-called Techmeme ‘leaderboard’ and you’ll quickly find that no amount of hard work, quality, or interest can compete with middle aged men having petty temper tantrums because they’re not getting their share of the lollies.

Books that are how-tos, help, or guides just don’t hack it today. Many of the better selling so-called ‘tech’ books don’t offer any practical advice. Most are formed from rants, both for and against, the technology many of the authors don’t even understand. Books have become more clan entry than helpful guide; you share your affiliations by the reviews you write.

Why do those of us who write tech books continue, then? That is the question, isn’t it?

One must, however, take Atwood’s rant with a little salt. After all what better way to generate noise about a book on a subject where too many books exist than to write something controversial at the same time you begin to promote the book. It’s just unfortunate that Atwood has chosen to promote his work by throwing those of us who have written tech books–for whatever reason–under the bus.

Categories
Technology Writing

Notes from the book part two

Summary:   Wherein author picks up both stick and carrot, paying particular attention to the attached metadata: Me relate stick. Me relate carrot. Me class hitting. Stick class hit. Carrot class eat. Me relate Microsoft. Translation: I am hitting the stick with Microsoft, while eating a carrot.

  • Open source developers, providers of free or inexpensive shareware applications, those working on open standards and specifications, or providing documentation, tutorials, and help for all of the above: you almost make me believe there is a land over the rainbow, and that it has fairies and unicorns and we never have to wear shoes. I don’t thank you, as often enough, and as much as you deserve.
  • Speaking of which: whoever came up with the original idea for CSS, you deserve chocolates
  • Everyone is mad at Apple for iPhone, but I don’t care: Safari 3 is a wonderful browser. Color management, far out. And Opera? Thanks for standing up for standards. Firefox, you’re cool, too, but you need to commit to implementing one spec before you start on others. Oh, and it would be really nice if you didn’t crash so much. No, really that would be cool.
  • The WhatWG and (X)HTML5 efforts are, in my opinion, not the best use of resources. We’ve spent years separating presentation values from page layout, only to turn around and make the same mistake with semantics. Accessibility is in; accessibility is outMachine versus human semanticsIndent versus blockquote. Hey! Poem markupSVG isn’t ‘semantically rich’ . When semantics have to be hard coded into the syntax, satisfaction will never be guaranteed. Open models, not new specs. When will they ever learn? When will they e-v-e-r learn.
  • Regarding microformats: Using “rel”, “class”, and “profile”, as the only available means in which to add semantics to markup is the same as using LOLCats to re-define the Bible: it’s pidgin markup. “Me class sitting. Me relate chair. Chair relate desk. Me class watching. Me relate windows. Window relate Woman. Woman class running. Woman relate street. Woman class feeling. Feeling relate weather. Weather class cool. Weather class fall. Me class wistful. Me class wishing. Me relate woman.”–this is my sad attempt to describe my sitting in a chair at my desk, looking out through my open window at a woman jogging along in the wonderfully cool fall weather, wishing I was her instead me being here at the computer. At some point in time, simplicity breaks down and you want a richer method in which to express your meaning.
  • Chew on this: pictures as data, as well as visual, entities.
  • Canvas is cool, but SVG is better. It’s not just because SVG elements become part of the Document Object Model (DOM) and are easily scriptable. It’s because we can find SVG similar to what we want, copy it, manipulate it, and we don’t have to know any scripting. I wanted images of musical notes and searched on “music notes svg”, which led me to this Wikipedia page and this (as well as this) public domain SVG. I copied the SVG file and deleted the SVG creating the bars–no bitmap tool magic needed to pull the notes separate from the bars. I split the notes into two separate images by coping and pasting the two different elements. I copied the SVG for both into this post, and scaled them into tiny little representations of themselves. Though the browser had to reach to scale them so small, we’re not left with a tiny little bitmap blobsI did think about using the following image, copied from this resource. Oh look, the original SVG contains metadata defined using RDF/XML. Isn’t it marvelous when you can merge rich, well defined XML vocabularies together? Just like that?
  • Silverlight: Why? There’s nothing in Silverlight 1.0 that doesn’t exist as an open standard and can’t be supported for IE applications–if Microsoft would just support them. Silverlight as a 2D graphics system? Both SVG and Canvas are 2D graphics systems. Microsoft supports form controls like buttons? Hey! Guess what we’ve had in HTML for years? Silverlight 1.1 integrates web browser and ASP.NET functionality, which means you can use your Microsoft Visual Studio and Microsoft Web Expression applications to create Rich Internet Applications? Fantastic! It still doesn’t change the fact that Microsoft pushed its browser on the same developers it’s trying to suck into the Silverlight world, and then abandoned it, and us, for five years; effectively holding up advances in internet development for half a decade.
  • Adobe Flex/AIR: Why? It’s true that Flash has done much for us over the years, and we’re grateful, but we’re ready to move into a new era of open standard applications and, frankly, Adobe, you’re rather hit and miss when it come to ‘open’ and ‘standard’. Take your SVG plug-in. It’s cool and we thank you for providing it so that IE users could see what they’re missing using a half-assed browser. Now you’re going to pull the plug-in and your support for it. Why not open source it, and let the open source community decide if it wants to continue to support it? Is it because, as has been noted elsewhere, you want us to consider converting [our] SVG application to an Adobe Flex® application? Golly, I just love these opportunities to get sucked into another bloated, proprietary application environment. It makes me feel so good when you finally, inevitably, stop.