Categories
Burningbird

Compromise

Most people liked the change to the serif fonts, but not all. So I took the Delacour route and have implemented a style switcher.

Hopefully you’ll see the default of this weblog when you load the page the first time. If you don’t let me know, or move to the bottom of the page and click one of the style buttons: serif or sans.

The style switcher does cause a very small lag in load times, which is why I didn’t want use it. But if some of you are having a hard time reading the serif fonts, the lag will just have to be something we live with. Some tweaking of the common bits out into a third stylesheet that is loaded automatically should take care of most of this.

update

Looks like everything is working nicely now and for those who want the sans-serif they now have that option.

Categories
Weblogging Writing

Telling a story

Loren Webster has taken his new addictionfascination with PhotoShop and combined it with philosophical reminisces of cars he’s owned into a set of really lovely posts, beginning with this one about a boy and his Studebaker.

I like every form of writing I find in weblogs, being more interested in the person and/or work rather any specific type, but there’s a special place in my heart for writings such as this: works that add art or photographs or poetry or music, sometimes with asides from history or linguistics or philosophy; all mixed in, subtly, with personal views and a little personal history. It’s the type of writing I love to do most, and enjoy reading whenever the whimsy strikes any of you. Even within the technology writings, I like those that sprinkle humor and humanity among all the angle brackets and arguments of which is better: Part A or Part B.

But as Anil Dash wrote recently, someone somewhere will say this isn’t weblogging. And though I think we can safely say that not everyone loves Anil (”Just joking Anil! Truce!”), he’s hit it dead on when he writes:

One good sign that a community is maturing is that some of the earlier or more influential members start trying to dictate how it should be done. Use more bold letters! Don’t use comments! Insert more pictures! Whatever the rule, it’s generally being used to assert authority over the nascent community, or to defend some arbitrary choices that have been made and are now being questioned.

This came up this weekend in another context, circumstances and participants withheld to protect me, because the lord knows if I don’t watch my butt no one else will; and as usual it grates on me and saddens me because we put a great deal of our creative effort into works that shouldn’t even exist according to these people. Worse, to some of these arbiters of great weblogging, doing so demeans the seriousness of this medium, yada yada yada.

Every year there is a new crop of people going out into the world armed with formal concepts and rules about how this all works; and every year we then have to follow along behind, tagging the clean, careful concepts with the purple and red graffiti of revolt and trashing the rules like the anarchists we are.

I have contributed to a book on weblogging in the past, but if I were asked to write a “Weblogging for Dummies” book now, it would look as follows:

Chapter One:

Page one:

“Begin.”

Now I’ve just saved you all a lot of money, which you can soon spend on limited edition “Burningbird” refrigerator magnets. Collect as many as you can; trade ‘em with your friends.

And stop by Loren’s and share your own car story.

Categories
Burningbird

I am the center of the Burningbird universe

As you might also notice, I’ve finished my all about me bar, which is now under the main title on all the pages.

The Feed Me page lists all the various ways to feed the bird, including hiring and sponsoring. I may have pulled ads, but I am open to sponsors–especially if its a product I can get behind. I’m still adding to the Writings page, but it gives a sampling of my work. The Resumé page is very detailed, and very long–much longer than normally recommended. However, a few years back, it wasn’t unusual for me to be working two or more consulting jobs, writing for a couple of publications, and working on a book, all at the same time. The resumé tries to cover all the different types of work and technologies I was involved with at the time.

I’ve also had people say they like my longer resumé and others say they don’t. Such is life — I’d rather give people too much, than too little.

(I think you can also see why no company will hire me for a permanent position–not with that much consulting and independent contracting behind me.)

Besides, I think it’s about time I started selling myself, rather than indulge in the all too typical female modesty, with all the disclaimers of “Aaw shucks, it ain’t no big thang”. If I continue, I’m going to female modesty myself right out of a car, computer, and Net connection. Then where would you all be? There’d be this dead void in your syndication feed lists where the Bird used to be.

Of course, having said all of this–I would like feedback on the pages. Especially that resumé page. What think? Does it help? Or hurt? I may be stubborn but I’m not mulish, and if it’s too long, or provides way too much info, I’ll cut it back.

update

Thanks to the kindness of those who have left comments, I have made extensive edits to the pages.

Categories
Burningbird

Give into the serifs

Recovered from the Wayback Machine.

I’ve changed my main content font to Georgia, and I like it much better. I have experimented around with serif fonts in the past, but couldn’t find the right combination of line height, font height, and color to suit. However, when I downloaded the CSS Zen Garden template, I liked what Dave Shea used immediately and decided to use it in Bb–without the text justification.

I’m also using a serif font for the title now, but still using Verdana for sidebar and new static menu at the top. I’m assuming mixing serif and san-serif fonts is not a page fashion faux pax*.

Another tidbit in “The Zen of CSS Design” is to use caution with letter spacing, especially with lowercase characters. I admit I am using a tight letterspacing with my post titles, but I found that the titles seemed to go on forever without it. Even after reading the warning, it’s a gamble I’ll still take — bring on the sheep!

In the end, though, it’s good to be aware of the rules of thumb and ‘laws’ of layout and design; then if you break them, it’s because you really want to, not because you’re unaware of the possibility that your site could look like shite on most people’s boxes.

*feedback would be welcome — and suggestions for the sidebar font.

Categories
Books

Zen of Burningbird

I received a copy of The Zen of CSS Design: Visual Enlightenment for the Web from the authors, Dave Shea and Molly Holzschlag, and have been getting an intimate peek into the world of web page design the last few weeks.

This is a beautiful book, with an elegant and clever layout, and featuring many examples of the famous CSS Zen Garden. With each design, Dave and Molly have focused on one specific element and used this as a basis for whatever is the topic of that chapter: Imagery, Layout, Typography, and so on.

“Zen of CSS Design” isn’t a book for beginners, as it doesn’t cover the basics of CSS or HTML. It’s a book for someone who has worked with both and wants to take their web design beyond the basics–to explore, but to do so in a way that is cross-browser compatible, accessible, and that validates.

For instance, chapter 4 provides techniques to replace the text of a header element with a graphic, but still have the text accessible to screen readers, and search engines–something that was new to me. In fact, I thought I knew CSS quite well, but I found out there’s a whole new level of tweaking I wasn’t aware of, primarily because I don’t keep up with the many design and CSS mailing lists. Luckily Dave and Molly do, and have gleaned the best of it in the pages.

As for my design, I’ve finally been inspired to clean up my stylesheet and use the ID and CLASS selectors correctly. I’ve also been fairly weak with fonts, falling back on Verdana or Arial most times. In the book there’s a whole chapter on typography, and I have now discovered georgia, which will be appearing in my pages in the days to come. This will make Joe Clark happy.

An interesting coincidence: this week Dave wrote a post about accessibility and the “aaa” Bobby rating that’s shown in the CSS Zen Garden HTML template. A group of Italian designers had challenged this rating because some of the designs do fail with accessibility, primarily through the use of color. However, as he pointed out, in the post, this is addressed in the book, which includes a decent discussion on all the nuances that can make a page less than accessible. There’s more to accessibility than labeling your images and using headers correctly; for instance, one suggestion is that text in hypertext links should be able to stand alone without the context of the surrounding text. Something that doesn’t work very well within a weblog.

After my first glance through of the book, I was inspired to try my hand with the CSS Zen Garden template, using my own Floating Clouds as model for the design. You can see the result in this page*.

As you’ll see, I’m using Georgia, and it is a pretty font. I’m also using the Floating Clouds open page body blocks and have left the sidebar items unconstrained. Rather than force all of the items into a tight, squishy box, the proximity of the elements serves as grouping — providing a balance while still allowing an openness in the design. Well, at least that’s my philosophy.

I’ve also managed to incorporate my background switching code, and do it while not touching Dave’s HTML — a requirement for CSS Zen Garden. I did this by using an import on the PHP file as the first line in the CSS file:

import “photographs.php”

The header file returned by the PHP program sets the result to CSS:

<?php
// declare the output of the file as CSS
header(’Content-type: text/css’);
?>

In addition, I also use the CSS3 “opacity” attribute for the quick summary element. This is supported in Safari and Firefox, and for those browsers where it’s not supported, the element is a solid white. Since the text is just as readable with both, and the solid white doesn’t disrupt the design, it seemed a good use of ‘edgy’ CSS. It also validates.

It’s a rather quiet design, but very readable–and at least it doesn’t hurt when you look at it, as can happen in this rather humorous look at the good old days of web design (note, lots of animated gifs in the page that opens from this link).

“The Zen of CSS Design” has been an eye opener for me and I’ll never approach web page design in the same way, again. I can strongly recommend this book — it’s definitely worth breaking into the piggy bank to buy.

*Note: I am not a designer**

**Further note: whole-hearted agreement with this statement will result in my hunting down and hacking your site. Consider the CSS Zen Garden entry I linked to. Now, think how your site would look with blooming peonies in the background.