Categories
Photography

Adobe Lightroom beta 4

The fourth beta of Adobe’s Lightroom is now available for free download.

I haven’t used the product since the second beta, and never on the PC. I think I’ll give this one a try on both the Mac and the PC and see how it does. The beta won’t expire before February 28th, plenty of time to experiment.

This sounds like Adobe’s last beta release of this product.

Categories
Specs

CSS auto kinda

Recovered from the Wayback Machine.

Here’s an interesting one:

I’ve had a couple of folks point out that my site layout does not appear correctly in Safari. If the page is opened in a Safari browser that’s smaller than the width of my content setting (currently at 925 pixels), no horizontal scrollbar is generated. However, a horizontal scrollbar is generated with Firefox (and with IE7 when tested, as well as Opera). Why is this?

I have an unusual layout in that I’m right justifying my content. Even with the new design, which features more elastic sizing (and hopefully should minimize horizontal scrolling), I’m still considering right justifying the content.

How I’m managing the right justification is that I have my right margin set to 20 pixels, but the left set to auto. Technically, I shouldn’t need to set my left margin to auto–it should be set this way by default when the right margin is given. However, I’ve found most browsers don’t do this correctly.

What should happen is that if one margin is given but not the other, the other should be set to auto. The browser should then measure the width of the content and the one margin and add enough to the other to meet 100% of the width. However, no browser does this. What they do is set the left margin to zero by default, regardless of how the right margin is set. By setting the left margin to auto, I remind the browsers of what they should be doing and I get right justified content.

Unfortunately, Safari has another bug: if the left margin is set to auto but the right margin is set to something else, when the browser window is less than the width of the content, the browser doesn’t provide a horizontal scrollbar.

Until I get my new site design up and running, in order to ensure that everyone can see the content regardless of browser window size, I’ve set both margins to auto for centered design. I’ve added some background fill to kill some of the white, but don’t get attached to it, it’s going away. Thanks to Pascale and John for pointing out the problem in Safari.

Categories
Critters

We’re bored

Recovered from the Wayback Machine.

It was stormy last night, stormy today. Stormy and wet.

I’m at my computer at the window, overlooking the street when I see a young man dressed in sweats running down the street. Running full out, as if he’s chasing something. I stand up and look out the window and watch as he meets up with another young man, also wearing sweats. I wonder if they’re fighting but they seem amicable. I then wonder if they’re playing some form of adult keepaway.

One looks up the street, points a finger, and takes off; the other follows. In front of them is a small brown/gray body running like mad. I think perhaps a cat or a dog had gotten loose and they’re trying to catch it.

The gray body runs under a car and then out, and I realize it’s a squirrel. They’re chasing the squirrel. They’re chasing all the squirrels, all over the neighborhood–into trees, under cars, down the street.

The squirrels are scared to death and the young men are laughing, having a grand old time, faces red with their effort.

I run downstairs and open the door and when they start past, I ask them why they’re chasing the squirrels.

“We’re bored,” one replies. “Nothing else to do”, says the other.

I tell them to knock it off, they’re scaring the squirrels.

“There’s nothing wrong with scaring squirrels”, one says. The other yells out, “They shoot squirrels in this state.”

I said then they should get a gun and shoot the squirrels. The one says, “You think it’s better to shoot the squirrels than chase them?”

I do.

I tell them to stop, now, or I’ll call management. I also tell them to grow up. My roommate says this won’t stop them, but I disagree. They have something else to do now, in their boredom: bitch about the woman who yelled at them to knock it off and grow up.

Categories
Critters

They shoot squirrels, don’t they?

 

Many experts believe the red/grey/white tension is simply a by-product of the longstanding White Squirrel War and Black Squirrel Squabble that have long raged in the U.S. And, as these conflicts make clear, it is not just squirrel infighting that threatens to explode into an orgiastic, terrorist bloodbath. Squirrels are increasingly making humans the victims of their savage and cowardly terrorist acts. In fact, for every bad deed done to man by man, or man by nature, I can cite five that are the work of squirrels.

For example, an undoubtedly cute squirrel terrorist sabotaged a power transformer in Tampa, Fl. last week, according to Tampa Bay’s 10. His deliberate action caused close to 2,000 Tampans to lose power for up to four hours but was restored, the piece emphasizes, “by ten p-m.”

Some animal lover might claim this act was not deliberate. To them I say, “You’re nuts.”

How else to explain a coordinated squirrel suicide attack in Kansas City — one-thousand miles away — on yet another power transformer on the same day? The KC squirrel’s terrorist act caused 1,700 customers to lose power.

Another 2,000 electrical customers also lost power recently in Brighton, Ma. after still another squirrel attack on our power supply — this one carried out in spite of security measures like “squirrel guards” taken to prevent such terrorist acts.

Attacks on our power supply and petty crimes (such as theft of household bird feed) have not proven sufficiently vile acts for squirrels, though. They have begun to target humans with direct physical assaults. In Leominster, Ma. last month a squirrel attacked a police officer who was attempting to arrest the squirrel’s human minder. As this gripping slideshow of the carnage makes clear, the squirrel is now caged, the officer’s surname is “Flowers,” and the latter was mocked handily by his peers.

From Squirrels: They’re cute, they’re fluffy, and they must be stoped

Categories
Media

Saturday Matinee

Recovered from the Wayback Machine.

I’m returning to the “Saturday Matinee” posts, where I’ll review an oldie but goodie movie beginning this weekend. Tomorrow, it’s a double feature: Voyage to the Prehistoric Planet and Voyage to the Planet of Prehistoric Women.

There’s been an amazing number of old science fiction movies that have entered into public domain, as well as being re-released on multi-disc packs; many of which are fascinating to watch, because they provide a hint into the culture of the times (and based on the country where the film originates). I’ve also found that even the worst of these movies usually has a tiny spark of brilliance somewhere in them; if you pay attention, your time is rewarded.

Some movies have been lovingly restored to excellent condition and modern displays, such as The Beginning of the End and include interviews with someone associated with the movie (such as the director’s wife, or the director themselves). These movies typically have ‘bad’ ratings, and everyone talks about the poor acting, or the ‘cheezy’ effects.

I think we’ve become too dependent on effects now–especially computer effects. I, for one, really like the original Star Wars movies, with the use of models rather than the more modern CGI-based triple. I recently watched Disney’s Lady and the Tramp and was struck again how beautiful this movie is with its hand painted scenes. This same beauty is captured in more modern anime films, such as Spirited Away, with its combination of exquisite hand painted scenes and characters, combined with computer animation.

Modern television shows such as Battlestar Galactica and Firefly focus more on the characters then the effects. You can go an entire episode with both with not seeing much more than a ship hanging in space. I think that’s what makes these shows stand out: the development of the characters and plots as compared to reliance on effects.