Categories
Photography

Photography Pheeds

Recovered from the Wayback Machine.

I won’t be purchasing iLife 6 anytime soon, but I gather it does have a nice feature in that you can subscribe to a Flickr photo feed with the tool. Unlike regular feed readers, with iPhoto, you can create a slideshow of the images–rather nice, really.

A friend has subscribed to my Flickr feed, and hopefully I’ll have some interesting photos for him to look at–bald eagles if I can ever manage to get any pictures. Still, I don’t expect to be posting as many photos to Flickr in the next few months. I want to experiment around with creating my own photo applications using the wide variety of Ruby-on-Rails, PHP, JavaScript and other libraries on my development server. I also want to start being a bit more discriminating about what I publish online. Quality, not quantity.

In addition, I want to start separating out the social aspect of photography that comes with photos being on a Flickr site. I want the photography to be seen as photography, not an invitation to have communal chat. I think the community can be fun, and I’ve met terrific folks at Flickr. But I also think it can impact on how you view your photography over time; or at least, I’ve found it so.

I still think Flickr is the cat’s jammies, and plan on continuing to use the service–just not as frequently, or for the same purpose as I’ve used the site in the past (as storage for my online photos).

Categories
Photography

End of a Photo era

Recovered from the Wayback Machine.

My first camera was the newly released Nikon 8008, though I used Nikon cameras previously when I worked for a photographer. I liked the 8008 so much that I ended buying two bodies: one to hold B & W film; one for color.

Now I use a digital Nikon, the D70, and hope to, someday, move up the line to something like the D2X. Until then, though, my D70 does a wonderful job, and I love the camera.

I was ambivalent when I heard the news that Nikon is discontinuing most of its film line in addition to all of its manual lens–only providing support for the F6 and FM10 and whatever lenses these cameras need. This does signal a major shift in the camera industry, and for the first time I wonder how much longer film cameras will exist. More, I wonder how much longer film makers will continue to create film.

Categories
Photography Technology

Lightroom: Adobe’s Photo Workflow tool

Recovered from the Wayback Machine.

Recently, Apple came out with a photo workflow tool called Aperture. Sounds like a great tool, considering you have to buy a brand new computer just to use it.

Adobe also came out with the beta for its own photo workflow tool, aptly called Lightroom. Unlike Apple’s product, Lightroom runs on my laptop, though I debate the company’s use of ‘beta’ with the application: it is more than a little rough around the edges, and not all of the functionality is present. Still it is a wondrously fun tool to use.

To demonstrate how to use it, I imported several images from a single shoot of the Dillard Mill last Spring. These photos could have been particularly good, except that the time of day, and hence the lighting, was all wrong. I decided to see what I could do with the photo modification tools built into Lightroom, processing them more as a batch then the careful modifications I make with Photoshop. I then exported a Flash slideshow of the photos (HTML show). Note that I accidentally referred to Lightroom as Lightspeed a couple of times. Purely unintentional, the application is not that fast. At least, not on my laptop.

Lightroom does a really nice job of adjusting even completely lost photos, so that I could salvage at least 50% of the photos. The slideshow creation was very easy and even a little fun, and once it was ready, it was a simple matter to export it to my site, though where the files were placed tended to go wonky.

As with Aperture, Lightroom works with RAW images, which means you can work with the captured metadata, allowing modifications of exposure and white balance. Within the Developer section of the tool, you can continue to adjust the work, including luminance, color saturation, and brightness, contrast, and so on. It is the ability to quickly and easily work with RAW images that sells Aperture, and the same sells Lightroom. However, unlike Aperture, I don’t have to buy a new computer to be able to use it.

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Social Media

Till we meet again

Recovered from the Wayback Machine.

I was rather stunned this morning to read a good-bye message from Lauren at Feministe:

After almost exactly six years as a blogger, about three of them at this domain, I believe it’s time for me to bow out. My dedication to my writing here has waned and I am tired of the oddly daunting responsibility of owning a website that runs significant traffic with my name attached. Running this blog takes far more time and dedication than I’d like to admit, and it’s time and dedication I can no longer afford to expend now that I am out of college. This is a decision I made some time ago and grappled with up until I hit publish on this post.

As Lauren goes on to say, blogging can be difficult, time consuming, and frustrating. It can also be discouraging when works that take time go unremarked, while a quick link to a silly joke pushes your Technorati profile up 400 points.

I think when you emotionally invest of yourself in your site, as Lauren has done–creating long, thoughtful essays, and caring about what you publish, in addition to your audience’s reaction–you either reach a point where you have to take a break, change how you run your site, or quit; sometimes, all three.

Some writers, such as Jonathon Delacour take very long breaks whenever needed. Others, such as myself and many of you, change the site, the focus, take shorter breaks, or whatever to keep the sites from breaking us down–to keep the fun still in the game. Unfortunately, there are those, like Lauren, who believe the only course they have is to quit. I can certainly understand the desire, or need, to quit, though I am unhappy to see someone like Lauren go.

I will miss you, kiddo.

Categories
Photography

The mean muds of the Mississippi

Recovered from the Wayback Machine.

The weather is lovely lately, so much so that I’ve attempted twice to go out and get photos of the wintering bald eagles in our area. Both times I’ve gone to locations some form of Eagle Days was happening, and either I arrived too late or I couldn’t get in because I wasn’t a school kid.

When I went to Chain of Rocks Bridge on Monday, the bridge was closed because of a school program. I decided to visit a park not far from the bridge to see if I could get down to the banks of the Mississippi and walk back to the bridge.

There was a boat launch to the water, and the river was low enough to expose ‘beach’ along the side. However, a beach in Mississippi terms is a relatively flat area of mud of differing thickness, scattered about with various forms of debris (not to mention garbage left by some of those who frequent the area in the nights). I didn’t have my hiking boots but thought I would be able to manage with just my tennis shoes–bringing truth to that old saw that there’s no fool quite like an old fool.

After slipping and sliding along for about 1/2 a mile, I could see the bridge, as well as the rapids, in addition to a rusted out old hulk I’d never noticed before. I passed two fishermen along the way, bundled up against the cold and this sudden incursion of tennis shoe clad tourists, one of whom was hauling an expensive camera to what is the absolute worst neighborhood in St. Louis. Whatever their thoughts, they were locked tight behind stony faces, and eyes fixed on lines in the water.

A family was exploring by the hulk, so I thought if they had no problems getting to the area, I would not either. I then proceeded to step on top of what I thought was firm sand, only to sink into the thickest, muckiest mud you ever did see–sinking up to my ankles and held fast.

mississippibeach

I tried to lift one foot, then the other, but neither would budge. I stood there for a few minutes, contemplating my options (“Hello police? I’m stuck in the mud of the Mississippi and I can’t get out…Hello Rob? I’m stuck in the mud of the Mississippi and I can’t get out…”)

While I was standing there, the family walked past me, up the hill among the scrub, which explains why I didn’t see other footprints along the path I was taking. We called out to each other, chatting about the eagles, and how it was too bad the Bridge was closed. The mother said the kids liked walking along the beach. I said kids would. Too bad we didn’t think to wear hiking boots. Yes, she replied, laughing. I thought of asking them for help pulling me out, but suddenly felt shy of exposing my predicament; feeling a little foolish.

I noticed a bird up above one of the trees and thought at first it was an eagle. I whipped my camera out and took a couple of hasty, blurry shots, but it was only a hawk. Only a hawk–normally getting even a bad photo of a hawk is a good day of shooting.

I also noticed that the mud was full of animal prints, and would have gotten some shots of them and my feet stuck in the mud, but all I had was my 400mm and both were too close. I could have changed lenses, but I thought all that fussing around would probably send my butt into the mud and if my feet were stuck so deep, my god, what would happen to my butt?

I couldn’t see them, but I did wonder if the fishermen down the beach could see me, stuck in the mud. Or did they keep their eyes fixed on their fishing lines?

I think I stood there looking around for close to 20 minutes or so. During that time, I kept moving my feet side to side, trying to break the suction. Finally, with a decided *thwopt*, I could pull out first my left foot, then my right. Still with tennis shoes, though my feet were covered with the thick, persistent brown muck.

On my way home, I noticed people leaving by the Bridge and stopped by the gate to ask if it might be opening. I talked to the guy at the gate and he said as soon as the tents were folded up, they’d be leaving. He looked in and saw all my camera equipment and said whatever I did, to not leave it in the car. Even with guards, they’d had windows smashed in and items grabbed from cars. I mentioned that I leave my extra items in the trunk, and he said make sure I put them in before parking, because the thieves will wait in the bushes (and here he pointed at some bushes by the bridge) to see who puts something valuable in their trunks, and they’ll pry them open as soon as I’m out of sight.

He then looked at me and my 400mm and said whatever I did, make sure others were on the bridge before I walked. While he was talking to me, other cars pulled up to check to see if the bridge was open. It’s a popular place to walk in the neighborhood. There weren’t many parks that close to the river.

bridge

Today, I went down again, this time later in the afternoon, hoping I would catch the eagles. When I pulled into the lot, a large, older black car was driving back and forth between the cars–windows tinted dark. It eventually moved off and I parked, in the center of the lot in a place with no other cars around and easy view from both the road and the bridge.

There weren’t any eagles, but there were doves, seagulls, and heron so I enjoyed the walk and took a few photos. To be safe, I waited until a man walking with his dog and his two kids started heading back to the cars and followed them. When I got to the lot, I noticed, to the side, the large black car I’d seen earlier. It was sitting there, with its engine running, and lights on.

The man and his kids stopped at a SUV a distance from me, and I passed him (still holding that same damn 400mm lens) and hurried to my car. As I approached it, the black car started heading toward me. When I was about 6 feet away from my car, a small, bright yellow SUV pulled into the lot, and then slowed near my car. I signaled the doors unlocked, opened the passenger side, and threw my camera and gear into the car.

The black car turned away, sped up, and pulled out of the lot. The yellow SUV then continued on to park.

When I told my roommate what happened when I got home, he agreed with me that the people in the car were most likely going to try and grab my gear. Chances are the people in the yellow SUV guessed this, too, and stopped near me to keep them away. He also said, and I agreed, I won’t be able to go back to the bridge by myself to go walking again. This hurts, physically hurts, because it’s one of my favorite places to walk. And since I can’t handle the hikes I normally go on at this time, my places to walk are becoming more limited.

mississippibank

Between one moment and the next, Missouri had stopped feeling like home.

Come down to the banks of Old Man River.

Come down to the banks, and step into the mean muds of the Mississippi.

Sink down until they hold you tight.

Stand there caught, can’t move, and despair.

Because Old Muddy, he don’t want to let none of you go.

No sir, he don’t want let none of you go.